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Burning Glass Interview Questions. Interviews for is framed Top Jobs at Burning Glass. Your trust is our top concern, so companies can't alter or remove reviews. I applied online. I interviewed at Burning Glass (Boston, MA (US)).

Got the Transformation Cities, email from is framed narrative HR skipping the phone screening directly to starbucks, the manager phone interview. Set up an on-site interview afterwards but heard that they wanted to see my code before making decisions. Changed the time of interview the what, day before. Starbucks? Changed the conference room during the interview. What Is Framed Narrative? Asked a lot of good questions about Transformation Cities, data processes but the what, technical test was not mentioned beforehand. Was asked to to Interpret the Difficult Poem That Good, leave the office only what is framed, after the 2nd out of four interviewers that were supposed to the was crucial industrial, show up. It was quite an unpleasant and what unprofessional experience, but expected from previous comments.

No surprise. Which Statement About Flat? What is what, ETL and how to make processes? Joining tables. More database admin than data manipulation. Answer Question. Competitive Edge? Burning Glass Response. I applied online.

I interviewed at Burning Glass. This was initial phone screening interview. The recruiter was friendly and heard what I had to narrative, say and answered my questions too. He also explained about the job responsibilities. Love Poems? The interviewer was on point and what narrative knew what he wants to lorca poems, know about me. Is Framed? Questions from experience shown in the resume. Answer Question. Burning Glass Response.

I applied online. The process took 2 weeks. I interviewed at crucial to britain's revolution Burning Glass (Boston, MA (US)) in February 2017. Narrative? No phone screen (odd). Asked to which statement about characters is true?, come in for a 4-hour interview with 4 different people. What Narrative? The first interviewer asked typical background questions. The second person asked more probing questions; made direct statements about their initial perception of me. The last two interviews were postponed due to the interviewers being out of the poems, office. Is Framed? Would have been nice to know that ahead of iv time. While it seemed like things were clicking, I was notified the next day that they would pursue other candidates that were a better fit.

Always disappointing to get that feedback without any indication of what was lacking. It is is framed narrative, clear to argument, me that this team needs some training on narrative, how to interview. They#039;re a small, young company with very little structure. As they mature they#039;ll figure out how to sell themselves in their interviews. Tell me about characters, a time when you failed?

1 Answer How do you do with teams? 1 Answer Where do you live? 1 Answer. Burning Glass Response. Is this helpful? The community relies on everyone sharing Add Anonymous Interview Review. Is Framed? I applied online. The process took a week.

I interviewed at crucial to britain's industrial Burning Glass (Boston, MA (US)) in January 2017. What? 1 telephonic interview - introductory call. 2 face to Competitive Edge, face interview. Diff between jdk and what jvm, black box testing and white box testing, questions on lorca love poems, waterfall model. Narrative? Burning Glass Response. Statement Characters? I applied through a staffing agency. The process took 1+ week.

I interviewed at is framed narrative Burning Glass (Boston, MA (US)) in August 2016. What a waste of poems time. Is Framed Narrative? At the time of the the was crucial to britain's industrial, interview I had a job, and what I made it clear before my face to about characters, face that I had to what, dress accordingly (my role was business casual). Starbucks? I arrived for the interview, and they were extremely disorganized; I waited for a half hour. Turns out the unqualified person interviewing me was taking a long lunch.

After wasting 45 minutes with them, the interview was over, and they weren#039;t interested in me because of what how I was dressed. In retrospect I#039;m glad it went the way it did. What a clownshow. Questions were pointless. Asked me to to Interpret the Difficult Poem "Do Got into Thomas, describe my background three different times. 1 Answer.

Burning Glass Response. I applied online. I interviewed at what is framed Burning Glass in January 2016. Had two phone interviews. First was just a basic screening interview, which I thought went well. Then the second was to Strategies the Difficult Poem Go Gentle That Thomas, describe a project they wanted me to what is framed narrative, do as part of the interview process. Love? I did the project and is framed sent it in compelling argument, via email but never heard back after contacting many times over a few months.

Unprofessional and a waste of is framed my time. Burning Glass Response. I applied online. To Interpret The Difficult Good Night" By Dylan Thomas? I interviewed at what narrative Burning Glass. Phone interview about the data exercise they gave about the the was crucial, labor market. make sure you know deeply about is framed narrative, your analysis and think more about the analysis result.

Never heard back after the starbucks, phone interview. What? Followed several times through email, but they seem even not willing to take a second to reply. The Difficult Poem "Do Got Into That Night" By Dylan Thomas? Burning Glass Response. I interviewed at Burning Glass in is framed, August 2015. I was scheduled to painted iv, interview for what is framed the account manager position and was informed in the first five minutes that they had decided to compelling argument, interview me for is framed narrative a sales coordinator position (more junior role). No notice was given and I felt awkward leaving the argument, interview to save their time and mine.

I tried to make the best of it but the what, interview fell flat when it became clear that the sales coordinator role was internally-facing and argument administrative support to is framed narrative, the sales team. Compelling? I understand my background probably seemed aligned but with even a half-hour notice, I would have cancelled the what is framed, interview and which statement about saved everyone#039;s time. I wasn#039;t going to write this review but upon reading someone else#039;s review with a similar experience, I thought it could be an is framed, anonymous forum to poems, communicate this to Burning Glass so they could work on what is framed, these practices in the future. Very frustrating experience which I wish I had handled differently. Tell me about yourself. Painted Composition? What do you know about Burning Glass Technologies? (Very run of the mill, nothing too unexpected) Answer Question. Burning Glass Response.

I applied through a recruiter. The process took 1+ week. What? I interviewed at argument Burning Glass (Boston, MA (US)) in June 2015. What Is Framed Narrative? Interview was not inline with the skillset and Competitive Edge Essays the job descriptions. Interviewers asked to write code on the whiteboard and asked to provide the solution from what narrative home through email. Answer Question. Burning Glass Response.

I applied through a recruiter. Vietnam? The process took 2 weeks. Narrative? I interviewed at iv Burning Glass (Boston, MA (US)) in May 2015. Went in for what is framed interview, they forgot to Strategies the Difficult Poem "Do Got Go Gentle Good by Dylan Thomas, reserve a conference room for it and ended up kicking people out of what is framed narrative a meeting to interview me. In the painted iv, first 5 minutes interviewer told me I was one of the most intelligent people she#039;d interviewed, and ended up skipping some of the what is framed, more insulting interview questions my recruiter told me to expect (such as: name the states along the Eastern Seaboard North to compelling argument, South). What Narrative? Had some cases and relatively easy technical questions, not a lot of fit questions to be honest. Gave me an starbucks, offer the what is framed narrative, next day, I thought about it and painted iv accepted it the next week. Narrative? The day after I accepted, they rescinded their offer. Honestly, I wouldn#039;t want to work for a company that#039;s not going to honor their word like that. Analyze a contract and poems reiterate the important details Answer Question. What Is Framed? Burning Glass Response.

Job Seekers Also Viewed Previous Next. Top Interview Questions Previous Next. Would you like us to review something? Please describe the problem with this and composition iv we will look into it. Your feedback has been sent to what, the team and we'll look into it.

Your response will be removed from the starbucks, review this cannot be undone. This will replace the current featured interview for this targeted profile. Are you sure you want to replace it? Are you sure you want to is framed, remove this interview from Transformation Essay being featured for this targeted profile?

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What is framed narrative

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Nov 18, 2017 What is framed narrative,

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Roger Federer as Religious Experience. By DAVID FOSTER WALLACE AUG. 20, 2006. Almost anyone who loves tennis and narrative, follows the mens tour on television has, over the last few years, had what might be termed Federer Moments. These are times, as you watch the young Swiss play, when the crucial to britain's industrial revolution jaw drops and eyes protrude and sounds are made that bring spouses in from other rooms to see if youre O.K.

The Moments are more intense if youve played enough tennis to understand the impossibility of what you just saw him do. Weve all got our examples. Here is what one. Its the finals of the 2005 U.S. Open, Federer serving to Andre Agassi early in the fourth set. Theres a medium-long exchange of which statement about flat characters is true? groundstrokes, one with the what narrative distinctive butterfly shape of todays power-baseline game, Federer and painted composition, Agassi yanking each other from side to side, each trying to set up the baseline winner. until suddenly Agassi hits a hard heavy cross-court backhand that pulls Federer way out wide to his ad (=left) side, and Federer gets to it but slices the stretch backhand short, a couple feet past the is framed narrative service line, which of course is the sort of thing Agassi dines out composition iv on, and is framed, as Federers scrambling to reverse and get back to center, Agassis moving in to take the of European Essay short ball on the rise, and he smacks it hard right back into the same ad corner, trying to wrong-foot Federer, which in fact he does Federers still near the corner but running toward the centerline, and the balls heading to a point behind him now, where he just was, and theres no time to turn his body around, and Agassis following the shot in to the net at an angle from the what is framed backhand side. and what Federer now does is somehow instantly reverse thrust and to Interpret the Difficult Poem "Do Got into That Thomas, sort of skip backward three or four steps, impossibly fast, to hit a forehand out of his backhand corner, all his weight moving backward, and the forehand is a topspin screamer down the narrative line past Agassi at net, who lunges for it but the balls past him, and it flies straight down the sideline and Competitive Essays, lands exactly in the deuce corner of what Agassis side, a winner Federers still dancing backward as it lands. And theres that familiar little second of shocked silence from the New York crowd before it erupts, and John McEnroe with his color mans headset on Competitive Essays TV says (mostly to himself, it sounds like), How do you hit a winner from that position? And hes right: given Agassis position and world-class quickness, Federer had to what is framed narrative, send that ball down a two-inch pipe of space in of European Essay order to pass him, which he did, moving backwards, with no setup time and none of his weight behind the is framed narrative shot. It was impossible. It was like something out of The Matrix. I dont know what-all sounds were involved, but my spouse says she hurried in Competitive Edge Essays and there was popcorn all over the couch and is framed, I was down on one knee and Cities, my eyeballs looked like novelty-shop eyeballs. Anyway, thats one example of a Federer Moment, and that was merely on TV and the truth is that TV tennis is to live tennis pretty much as video porn is to the felt reality of human love.

Journalistically speaking, there is no hot news to offer you about Roger Federer. He is, at 25, the best tennis player currently alive. Maybe the best ever. Is Framed Narrative! Bios and profiles abound. 60 Minutes did a feature on him just last year. The Was To Britain's Industrial Revolution! Anything you want to narrative, know about Mr.

Roger N.M.I. Federer his background, his home town of Basel, Switzerland, his parents sane and unexploitative support of his talent, his junior tennis career, his early problems with fragility and temper, his beloved junior coach, how that coachs accidental death in 2002 both shattered and annealed Federer and helped make him what he now is, Federers 39 career singles titles, his eight Grand Slams, his unusually steady and mature commitment to the girlfriend who travels with him (which on Strategies the Difficult "Do Got Go Gentle into That Good Night" by Dylan Thomas the mens tour is rare) and is framed, handles his affairs (which on the mens tour is unheard of), his old-school stoicism and mental toughness and good sportsmanship and evident overall decency and thoughtfulness and charitable largess its all just a Google search away. Knock yourself out. This present article is the was crucial to britain's industrial revolution more about a spectators experience of Federer, and what is framed, its context. The specific thesis here is that if youve never seen the young man play live, and then do, in person, on the sacred grass of Transformation of European Cities Wimbledon, through the literally withering heat and then wind and rain of the 06 fortnight, then you are apt to have what one of the tournaments press bus drivers describes as a bloody near-religious experience. It may be tempting, at first, to hear a phrase like this as just one more of the overheated tropes that people resort to what narrative, to describe the feeling of Federer Moments. But the drivers phrase turns out to be true literally, for an instant ecstatically though it takes some time and serious watching to see this truth emerge. Beauty is flat characters not the goal of competitive sports, but high-level sports are a prime venue for the expression of human beauty.

The relation is what roughly that of courage to war. The human beauty were talking about here is painted composition beauty of a particular type; it might be called kinetic beauty. Its power and appeal are universal. It has nothing to do with sex or cultural norms. What it seems to have to do with, really, is is framed human beings reconciliation with the fact of Cities having a body. (1) Of course, in what is framed narrative mens sports no one ever talks about beauty or grace or the painted body. Men may profess their love of narrative sports, but that love must always be cast and enacted in the symbology of which about characters war: elimination vs. advance, hierarchy of rank and standing, obsessive statistics, technical analysis, tribal and/or nationalist fervor, uniforms, mass noise, banners, chest-thumping, face-painting, etc. For reasons that are not well understood, wars codes are safer for most of us than loves. You too may find them so, in which case Spains mesomorphic and totally martial Rafael Nadal is the what mans man for you he of the unsleeved biceps and Kabuki self-exhortations.

Plus Nadal is also Federers nemesis and the big surprise of this years Wimbledon, since hes a clay-court specialist and no one expected him to make it past the first few rounds here. Whereas Federer, through the compelling argument semifinals, has provided no surprise or competitive drama at all. Hes outplayed each opponent so completely that the is framed narrative TV and of European Essay, print press are worried his matches are dull and cant compete effectively with the what nationalist fervor of the World Cup. (2) July 9s mens final, though, is everyones dream. Cities! Nadal vs.

Federer is a replay of last months French Open final, which Nadal won. Federer has so far lost only four matches all year, but theyve all been to Nadal. Is Framed! Still, most of these matches have been on slow clay, Nadals best surface. Grass is Federers best. On the painted iv other hand, the first weeks heat has baked out what is framed some of the Wimbledon courts slickness and made them slower.

Theres also the fact that Nadal has adjusted his clay-based game to grass moving in closer to the baseline on his groundstrokes, amping up his serve, overcoming his allergy to the net. He just about disemboweled Agassi in the third round. The networks are in ecstasies. Before the Poem That Good Night" by Dylan match, on Centre Court, behind the narrative glass slits above the south backstop, as the crucial to britain's revolution linesmen are coming out on what court in their new Ralph Lauren uniforms that look so much like childrens navalwear, the broadcast commentators can be seen practically bouncing up and down in their chairs. This Wimbledon finals got the revenge narrative, the king-versus-regicide dynamic, the stark character contrasts. Its the passionate machismo of southern Europe versus the flat is true? intricate clinical artistry of the north. Narrative! Apollo and Dionysus. Scalpel and cleaver. Argument! Righty and southpaw. What Narrative! Nos.

1 and 2 in the world. Nadal, the man whos taken the modern power-baseline game just as far as it goes, versus a man whos transfigured that modern game, whose precision and compelling argument, variety are as big a deal as his pace and foot-speed, but who may be peculiarly vulnerable to, or psyched out what is framed by, that first man. Transformation Of European Cities Essay! A British sportswriter, exulting with his mates in the press section, says, twice, Its going to be a war. Plus its in the cathedral of Centre Court. And the mens final is always on what the fortnights second Sunday, the symbolism of which Wimbledon emphasizes by always omitting play on the first Sunday.

And the spattery gale that has knocked over parking signs and everted umbrellas all morning suddenly quits an hour before match time, the sun emerging just as Centre Courts tarp is rolled back and painted, the net posts driven home. Federer and Nadal come out to applause, make their ritual bows to the nobles box. The Swiss is in what the buttermilk-colored sport coat that Nikes gotten him to wear for Transformation of European Cities Wimbledon this year. On Federer, and perhaps on is framed him alone, it doesnt look absurd with shorts and sneakers. Composition! The Spaniard eschews all warm-up clothing, so you have to look at his muscles right away. He and the Swiss are both in all-Nike, up to the very same kind of tied white Nike hankie with the narrative swoosh positioned above the which statement about flat third eye. Nadal tucks his hair under his hankie, but Federer doesnt, and smoothing and what narrative, fussing with the bits of painted hair that fall over the hankie is the main Federer tic TV viewers get to see; likewise Nadals obsessive retreat to the ballboys towel between points. There happen to be other tics and habits, though, tiny perks of live viewing. Theres the great care Roger Federer takes to hang the sport coat over his spare courtside chairs back, just so, to keep it from wrinkling hes done this before each match here, and something about what narrative it seems childlike and weirdly sweet. Or the way he inevitably changes out his racket sometime in the second set, the new one always in the same clear plastic bag closed with blue tape, which he takes off carefully and always hands to a ballboy to dispose of. Theres Nadals habit of constantly picking his long shorts out of his bottom as he bounces the compelling argument ball before serving, his way of always cutting his eyes warily from what is framed side to side as he walks the baseline, like a convict expecting to be shanked.

And something odd on the Swisss serve, if you look very closely. Holding ball and racket out in front, just before starting the motion, Federer always places the ball precisely in Edge Essays the V-shaped gap of the rackets throat, just below the head, just for an instant. If the fit isnt perfect, he adjusts the ball until it is. It happens very fast, but also every time, on what is framed narrative both first serves and second. Nadal and Federer now warm each other up for to Interpret the Difficult Poem Go Gentle into That Night" by Dylan Thomas precisely five minutes; the umpire keeps time. Theres a very definite order and etiquette to these pro warm-ups, which is what is framed narrative something that television has decided youre not interested in seeing. Centre Court holds 13,000 and argument, change. Another several thousand have done what people here do willingly every year, which is to pay a stiff general admission at the gate and then gather, with hampers and mosquito spray, to watch the what match on an enormous TV screen outside Court 1. Your guess here is probably as good as anyones. Right before play, up at the net, theres a ceremonial coin-toss to see wholl serve first. To Interpret "Do Got That By Dylan! Its another Wimbledon ritual.

The honorary coin-tosser this year is William Caines, assisted by the umpire and tournament referee. William Caines is what narrative a 7-year-old from Kent who contracted liver cancer at age 2 and Transformation of European Cities, somehow survived after surgery and horrific chemo. Hes here representing Cancer Research UK. Hes blond and pink-cheeked and comes up to about Federers waist. The crowd roars its approval of the re-enacted toss.

Federer smiles distantly the whole time. Nadal, just across the net, keeps dancing in place like a boxer, swinging his arms from side to narrative, side. Im not sure whether the U.S. networks show the coin-toss or not, whether this ceremonys part of their contractual obligation or whether they get to cut to commercial. About Flat Is True?! As Williams ushered off, theres more cheering, but its scattered and disorganized; most of the crowd cant quite tell what to do. Its like once the is framed narrative rituals over, the reality of why this child was part of it sinks in. Theres a feeling of something important, something both uncomfortable and not, about a child with cancer tossing this dream-finals coin.

The feeling, what-all it might mean, has a tip-of-the-tongue-type quality that remains elusive for at least the first two sets. (3) A top athletes beauty is next to argument, impossible to describe directly. Or to evoke. Federers forehand is a great liquid whip, his backhand a one-hander that he can drive flat, load with topspin, or slice the slice with such snap that the what narrative ball turns shapes in the air and skids on the grass to maybe ankle height. Argument! His serve has world-class pace and a degree of placement and variety no one else comes close to; the service motion is lithe and uneccentric, distinctive (on TV) only in what is framed narrative a certain eel-like all-body snap at the moment of impact. His anticipation and court sense are otherworldly, and his footwork is the best in which about flat characters is true? the game as a child, he was also a soccer prodigy. All this is true, and yet none of it really explains anything or evokes the experience of watching this man play. Of witnessing, firsthand, the beauty and genius of his game. You more have to come at the aesthetic stuff obliquely, to talk around it, or as Aquinas did with his own ineffable subject to try to define it in terms of what it is not. One thing it is not is narrative televisable. Transformation! At least not entirely.

TV tennis has its advantages, but these advantages have disadvantages, and chief among them is a certain illusion of intimacy. Televisions slow-mo replays, its close-ups and graphics, all so privilege viewers that were not even aware of how much is lost in broadcast. And a large part of whats lost is the narrative sheer physicality of top tennis, a sense of the speeds at which the ball is moving and the players are reacting. Composition Iv! This loss is simple to what is framed, explain. TVs priority, during a point, is coverage of the whole court, a comprehensive view, so that viewers can see both players and the overall geometry of the exchange.

Television therefore chooses a specular vantage that is overhead and behind one baseline. Iv! You, the viewer, are above and looking down from behind the court. This perspective, as any art student will tell you, foreshortens the court. Real tennis, after all, is what is framed three-dimensional, but a TV screens image is only 2-D. The dimension thats lost (or rather distorted) on the screen is the real courts length, the 78 feet between baselines; and the speed with which the ball traverses this length is a shots pace, which on TV is obscured, and in to Interpret the Difficult Poem into Good Thomas person is fearsome to behold. That may sound abstract or overblown, in which case by all means go in person to some professional tournament especially to the outer courts in early rounds, where you can sit 20 feet from the sideline and sample the what is framed difference for compelling argument yourself. If youve watched tennis only on television, you simply have no idea how hard these pros are hitting the narrative ball, how fast the ball is moving, (4) how little time the players have to get to it, and how quickly theyre able to move and rotate and strike and recover. And none are faster, or more deceptively effortless about it, than Roger Federer.

Interestingly, what is less obscured in TV coverage is Federers intelligence, since this intelligence often manifests as angle. Federer is able to see, or create, gaps and angles for winners that no one else can envision, and televisions perspective is the was to britain's industrial perfect for viewing and reviewing these Federer Moments. Whats harder to appreciate on is framed narrative TV is that these spectacular-looking angles and painted iv, winners are not coming from nowhere theyre often set up several shots ahead, and depend as much on Federers manipulation of opponents positions as they do on the pace or placement of the coup de grace. And understanding how and why Federer is able to move other world-class athletes around this way requires, in what narrative turn, a better technical understanding of the modern power-baseline game than TV again is painted composition iv set up to provide. Wimbledon is what is framed strange. Verily it is the games Mecca, the cathedral of tennis; but it would be easier to sustain the appropriate level of argument on-site veneration if the tournament werent so intent on reminding you over and over that its the cathedral of tennis. Theres a peculiar mix of stodgy self-satisfaction and relentless self-promotion and -branding.

Its a bit like the sort of authority figure whose office wall has every last plaque, diploma, and award hes ever gotten, and every time you come into the office youre forced to look at the wall and say something to indicate that youre impressed. Wimbledons own walls, along nearly every significant corridor and passage, are lined with posters and signs featuring shots of past champions, lists of Wimbledon facts and trivia, historic lore, and so on. What Is Framed! Some of this stuff is interesting; some is which statement about flat just odd. Narrative! The Wimbledon Lawn Tennis Museum, for instance, has a collection of Transformation Cities Essay all the what is framed narrative various kinds of rackets used here through the to Interpret the Difficult That Good by Dylan Thomas decades, and one of the many signs along the Level 2 passage of the Millennium Building (5) promotes this exhibition with both photos and didactic text, a kind of is framed History of the Racket. Here, sic , is the climactic end of this text: Todays lightweight frames made of space-age materials like graphite, boron, titanium and ceramics, with larger heads mid-size (90-95 square inches) and over-size (110 square inches) have totally transformed the character of the game. Nowadays it is the powerful hitters who dominate with heavy topspin. Serve-and-volley players and those who rely on Transformation Essay subtlety and what is framed narrative, touch have virtually disappeared. It seems odd, to say the least, that such a diagnosis continues to hang here so prominently in the fourth year of Federers reign over Wimbledon, since the Competitive Edge Swiss has brought to is framed narrative, mens tennis degrees of touch and subtlety unseen since (at least) the days of McEnroes prime. But the signs really just a testament to the power of dogma.

For almost two decades, the party lines been that certain advances in racket technology, conditioning, and statement, weight training have transformed pro tennis from a game of quickness and finesse into one of athleticism and brute power. And as an what is framed etiology of todays power-baseline game, this party line is broadly accurate. Todays pros truly are measurably bigger, stronger, and better conditioned, (6) and high-tech composite rackets really have increased their capacities for pace and spin. How, then, someone of which statement about flat Federers consummate finesse has come to dominate the what mens tour is a source of wide and dogmatic confusion. There are three kinds of valid explanation for crucial industrial revolution Federers ascendancy.

One kind involves mystery and metaphysics and is, I think, closest to the real truth. The others are more technical and make for better journalism. The metaphysical explanation is that Roger Federer is one of those rare, preternatural athletes who appear to be exempt, at least in part, from certain physical laws. Good analogues here include Michael Jordan, (7) who could not only jump inhumanly high but actually hang there a beat or two longer than gravity allows, and Muhammad Ali, who really could float across the canvas and what is framed, land two or three jabs in the clock-time required for compelling one. What Is Framed Narrative! There are probably a half-dozen other examples since 1960. And Federer is of this type a type that one could call genius, or mutant, or avatar. He is the was never hurried or off-balance. The approaching ball hangs, for him, a split-second longer than it ought to. His movements are lithe rather than athletic. Like Ali, Jordan, Maradona, and Gretzky, he seems both less and more substantial than the men he faces. Particularly in the all-white that Wimbledon enjoys getting away with still requiring, he looks like what he may well (I think) be: a creature whose body is both flesh and, somehow, light.

This thing about the ball cooperatively hanging there, slowing down, as if susceptible to what is framed, the Swisss will theres real metaphysical truth here. And in the following anecdote. After a July 7 semifinal in of European Cities Essay which Federer destroyed Jonas Bjorkman not just beat him, destroyed him and just before a requisite post-match news conference in which Bjorkman, whos friendly with Federer, says he was pleased to have the best seat in the house to watch the Swiss play the nearest to perfection you can play tennis, Federer and Bjorkman are chatting and joking around, and Bjorkman asks him just how unnaturally big the ball was looking to him out there, and Federer confirms that it was like a bowling ball or basketball. He means it just as a bantery, modest way to make Bjorkman feel better, to what, confirm that hes surprised by which about how unusually well he played today; but hes also revealing something about what tennis is what is framed like for Transformation him. Imagine that youre a person with preternaturally good reflexes and coordination and speed, and that youre playing high-level tennis. Your experience, in play, will not be that you possess phenomenal reflexes and what narrative, speed; rather, it will seem to you that the tennis ball is painted composition quite large and slow-moving, and that you always have plenty of time to hit it. That is, you wont experience anything like the is framed narrative (empirically real) quickness and the was, skill that the live audience, watching tennis balls move so fast they hiss and blur, will attribute to you. (8)

An error has occurred. Please try again later. You are already subscribed to this email. Velocitys just one part of it. Now were getting technical. Tennis is what often called a game of inches, but the revolution cliche is mostly referring to is framed narrative, where a shot lands. In terms of a players hitting an incoming ball, tennis is actually more a game of micrometers: vanishingly tiny changes around the moment of impact will have large effects on how and where the ball travels. The same principle explains why even the smallest imprecision in aiming a rifle will still cause a miss if the targets far enough away. By way of of European Cities illustration, lets slow things way down. Imagine that you, a tennis player, are standing just behind your deuce corners baseline.

A ball is served to your forehand you pivot (or rotate) so that your side is to the balls incoming path and start to what is framed, take your racket back for the was to britain's revolution the forehand return. What Is Framed! Keep visualizing up to where youre about halfway into the strokes forward motion; the incoming ball is now just off your front hip, maybe six inches from point of painted composition impact. Consider some of the variables involved here. On the what is framed vertical plane, angling your racket face just a couple degrees forward or back will create topspin or slice, respectively; keeping it perpendicular will produce a flat, spinless drive. Horizontally, adjusting the Competitive racket face ever so slightly to the left or right, and hitting the what ball maybe a millisecond early or late, will result in a cross-court versus down-the-line return. Painted Composition! Further slight changes in the curves of your groundstrokes motion and follow-through will help determine how high your return passes over the net, which, together with the speed at which youre swinging (along with certain characteristics of the what is framed spin you impart), will affect how deep or shallow in the opponents court your return lands, how high it bounces, etc. These are just the broadest distinctions, of course like, theres heavy topspin vs. Painted Composition Iv! light topspin, or sharply cross-court vs. only slightly cross-court, etc. There are also the is framed narrative issues of how close youre allowing the ball to to Interpret into Good Night" by Dylan Thomas, get to your body, what grip youre using, the extent to which your knees are bent and/or weights moving forward, and whether youre able simultaneously to watch the ball and to see what your opponents doing after he serves.

These all matter, too. Plus theres the fact that youre not putting a static object into motion here but rather reversing the what is framed narrative flight and (to a varying extent) spin of which characters is true? a projectile coming toward you coming, in the case of pro tennis, at speeds that make conscious thought impossible. Mario Ancics first serve, for instance, often comes in around 130 m.p.h. Since its 78 feet from Ancics baseline to yours, that means it takes 0.41 seconds for his serve to reach you. What Narrative! (9) This is painted composition iv less than the time it takes to blink quickly, twice. The upshot is that pro what, tennis involves intervals of time too brief for argument deliberate action. Temporally, were more in the operative range of reflexes, purely physical reactions that bypass conscious thought. And yet an effective return of serve depends on a large set of decisions and physical adjustments that are a whole lot more involved and intentional than blinking, jumping when startled, etc.

Successfully returning a hard-served tennis ball requires whats sometimes called the kinesthetic sense, meaning the ability to control the body and its artificial extensions through complex and very quick systems of tasks. English has a whole cloud of terms for various parts of what narrative this ability: feel, touch, form, proprioception, coordination, hand-eye coordination, kinesthesia, grace, control, reflexes, and so on. Competitive Essays! For promising junior players, refining the kinesthetic sense is the is framed narrative main goal of the Transformation of European Cities Essay extreme daily practice regimens we often hear about. (10) The training here is what is framed both muscular and neurological. Hitting thousands of strokes, day after day, develops the ability to compelling argument, do by feel what cannot be done by regular conscious thought. Repetitive practice like this often looks tedious or even cruel to is framed narrative, an outsider, but the outsider cant feel whats going on the was crucial to britain's revolution inside the what player tiny adjustments, over and over, and Transformation Cities, a sense of each changes effects that gets more and more acute even as it recedes from normal consciousness. (11) The time and discipline required for serious kinesthetic training are one reason why top pros are usually people whove devoted most of their waking lives to tennis, starting (at the very latest) in their early teens. It was, for is framed narrative example, at age 13 that Roger Federer finally gave up soccer, and a recognizable childhood, and entered Switzerlands national tennis training center in Ecublens. At 16, he dropped out of classroom studies and started serious international competition. It was only weeks after quitting school that Federer won Junior Wimbledon. Obviously, this is Edge something that not every junior who devotes himself to tennis can do.

Just as obviously, then, there is more than time and training involved there is also sheer talent, and degrees of what narrative it. Extraordinary kinesthetic ability must be present (and measurable) in argument a kid just to make the years of practice and is framed, training worthwhile. but from Essays there, over time, the cream starts to rise and separate. So one type of technical explanation for Federers dominion is that hes just a bit more kinesthetically talented than the other male pros. Only a little bit, since everyone in the Top 100 is himself kinesthetically gifted but then, tennis is a game of inches. This answer is plausible but incomplete. It would probably not have been incomplete in 1980. In 2006, though, its fair to ask why this kind of talent still matters so much.

Recall what is true about dogma and what, Wimbledons sign. Of European Cities Essay! Kinesthetic virtuoso or no, Roger Federer is now dominating the largest, strongest, fittest, best-trained and -coached field of male pros whove ever existed, with everyone using a kind of nuclear racket thats said to have made the finer calibrations of kinesthetic sense irrelevant, like trying to whistle Mozart during a Metallica concert. According to reliable sources, honorary coin-tosser William Cainess backstory is that one day, when he was 2?, his mother found a lump in his tummy, and took him to the doctor, and the lump was diagnosed as a malignant liver tumor. At which point one cannot, of course, imagine. a tiny child undergoing chemo, serious chemo, his mother having to watch, carry him home, nurse him, then bring him back to that place for what is framed narrative more chemo. How did she answer her childs question the the was crucial industrial revolution big one, the obvious one? And who could answer hers? What could any priest or pastor say that wouldnt be grotesque? Its 2-1 Nadal in the finals second set, and hes serving.

Federer won the first set at love but then flagged a bit, as he sometimes does, and is quickly down a break. Now, on Nadals ad, theres a 16-stroke point. Nadal is serving a lot faster than he did in Paris, and this ones down the center. Federer floats a soft forehand high over the net, which he can get away with because Nadal never comes in behind his serve. The Spaniard now hits a characteristically heavy topspin forehand deep to Federers backhand; Federer comes back with an even heavier topspin backhand, almost a clay-court shot. Its unexpected and is framed, backs Nadal up, slightly, and compelling argument, his response is a low hard short ball that lands just past the service lines T on Federers forehand side.

Against most other opponents, Federer could simply end the point on a ball like this, but one reason Nadal gives him trouble is that hes faster than the others, can get to stuff they cant; and so Federer here just hits a flat, medium-hard cross-court forehand, going not for a winner but for a low, shallowly angled ball that forces Nadal up and out to what, the deuce side, his backhand. Nadal, on the run, backhands it hard down the line to Federers backhand; Federer slices it right back down the Competitive Essays same line, slow and floaty with backspin, making Nadal come back to what narrative, the same spot. Nadal slices the ball right back three shots now all down the same line and composition, Federer slices the ball back to the same spot yet again, this one even slower and floatier, and Nadal gets planted and hits a big two-hander back down the same line its like Nadals camped out now on his deuce side; hes no longer moving all the what way back to the baselines center between shots; Federers hypnotized him a little. Federer now hits a very hard, deep topspin backhand, the Transformation of European kind that hisses, to a point just slightly on the ad side of Nadals baseline, which Nadal gets to what is framed, and forehands cross-court; and Federer responds with an even harder, heavier cross-court backhand, baseline-deep and compelling argument, moving so fast that Nadal has to hit the forehand off his back foot and then scramble to get back to center as the shot lands maybe two feet short on Federers backhand side again. Federer steps to this ball and now hits a totally different cross-court backhand, this one much shorter and sharper-angled, an what is framed angle no one would anticipate, and so heavy and blurred with topspin that it lands shallow and just inside the compelling sideline and takes off hard after the bounce, and Nadal cant move in to is framed, cut it off and cant get to it laterally along the revolution baseline, because of all the is framed narrative angle and topspin end of point. About Characters Is True?! Its a spectacular winner, a Federer Moment; but watching it live, you can see that its also a winner that Federer started setting up four or even five shots earlier.

Everything after that first down-the-line slice was designed by is framed narrative the Swiss to maneuver Nadal and lull him and then disrupt his rhythm and balance and open up that last, unimaginable angle an the was crucial angle that would have been impossible without extreme topspin. Extreme topspin is the is framed hallmark of todays power-baseline game. This is something that Wimbledons sign gets right. (12) Why topspin is so key, though, is not commonly understood. Edge Essays! Whats commonly understood is what is framed that high-tech composite rackets impart much more pace to painted, the ball, rather like aluminum baseball bats as opposed to good old lumber. But that dogma is false. The truth is that, at the same tensile strength, carbon-based composites are lighter than wood, and this allows modern rackets to be a couple ounces lighter and at least an inch wider across the what face than the vintage Kramer and Maxply. Its the width of the face thats vital. A wider face means theres more total string area, which means the sweet spots bigger. With a composite racket, you dont have to crucial, meet the ball in the precise geometric center of the strings in order to generate good pace. Nor must you be spot-on to what, generate topspin, a spin that (recall) requires a tilted face and upwardly curved stroke, brushing over the ball rather than hitting flat through it this was quite hard to do with wood rackets, because of their smaller face and niggardly sweet spot. Composites lighter, wider heads and more generous centers let players swing faster and which statement about characters is true?, put way more topspin on is framed the ball. Transformation Of European! and, in turn, the more topspin you put on the ball, the harder you can hit it, because theres more margin for error.

Topspin causes the ball to pass high over the net, describe a sharp arc, and come down fast into the opponents court (instead of maybe soaring out). So the basic formula here is that composite rackets enable topspin, which in turn enables groundstrokes vastly faster and harder than 20 years ago its common now to see male pros pulled up off the ground and halfway around in the air by the force of their strokes, which in the old days was something one saw only in Jimmy Connors. Connors was not, by the way, the father of the power-baseline game. What Narrative! He whaled mightily from the baseline, true, but his groundstrokes were flat and spinless and had to pass very low over the net. Nor was Bjorn Borg a true power-baseliner. Both Borg and Connors played specialized versions of the classic baseline game, which had evolved as a counterforce to the even more classic serve-and-volley game, which was itself the dominant form of mens power tennis for decades, and of which John McEnroe was the greatest modern exponent. You probably know all this, and may also know that McEnroe toppled Borg and then more or less ruled the mens game until the appearance, around the mid-1980s, of statement about flat (a) modern composite rackets (13) and (b) Ivan Lendl, who played with an early form of composite and was the true progenitor of power-baseline tennis. (14) Ivan Lendl was the what narrative first top pro whose strokes and tactics appeared to be designed around the painted iv special capacities of the composite racket. His goal was to win points from the baseline, via either passing shots or outright winners.

His weapon was his groundstrokes, especially his forehand, which he could hit with overwhelming pace because of the amount of topspin he put on the ball. The blend of pace and topspin also allowed Lendl to do something that proved crucial to the advent of the power-baseline game. He could pull off radical, extraordinary angles on hard-hit groundstrokes, mainly because of the speed with which heavy topspin makes the ball dip and land without going wide. In retrospect, this changed the whole physics of is framed narrative aggressive tennis. For decades, it had been angle that made the serve-and-volley game so lethal. The closer one is to the net, the more of the opponents court is painted composition iv open the classic advantage of narrative volleying was that you could hit angles that would go way wide if attempted from the Competitive Essays baseline or midcourt. But topspin on a groundstroke, if its really extreme, can bring the narrative ball down fast and shallow enough to exploit many of these same angles. Especially if the groundstroke youre hitting is off a somewhat short ball the shorter the ball, the more angles are possible. Pace, topspin, and compelling, aggressive baseline angles: and lo, its the is framed narrative power-baseline game. It wasnt that Ivan Lendl was an immortally great tennis player.

He was simply the first top pro to demonstrate what heavy topspin and raw power could achieve from the baseline. And, most important, the Transformation achievement was replicable, just like the composite racket. Past a certain threshold of physical talent and training, the narrative main requirements were athleticism, aggression, and superior strength and conditioning. Which Flat! The result (omitting various complications and what is framed, subspecialties (15) ) has been mens pro tennis for the last 20 years: ever bigger, stronger, fitter players generating unprecedented pace and topspin off the ground, trying to force the short or weak ball that they can put away. Illustrative stat: When Lleyton Hewitt defeated David Nalbandian in the 2002 Wimbledon mens final, there was not one single serve-and-volley point. (16) The generic power-baseline game is not boring certainly not compared with the two-second points of old-time serve-and-volley or the moon-ball tedium of Essays classic baseline attrition. But it is what is framed somewhat static and of European, limited; it is not, as pundits have publicly feared for years, the evolutionary endpoint of what is framed tennis.

The player whos shown this to be true is Roger Federer. And hes shown it from within the of European Essay modern game. This within is whats important here; this is what a purely neural account leaves out. And it is why sexy attributions like touch and subtlety must not be misunderstood. With Federer, its not either/or. The Swiss has every bit of Lendl and Agassis pace on his groundstrokes, and is framed narrative, leaves the Cities Essay ground when he swings, and can out-hit even Nadal from the backcourt. (17) Whats strange and wrong about Wimbledons sign, really, is its overall dolorous tone. Subtlety, touch, and finesse are not dead in the power-baseline era. For it is, still, in 2006, very much the power-baseline era: Roger Federer is what a first-rate, kick-ass power-baseliner. Its just that thats not all he is.

Theres also his intelligence, his occult anticipation, his court sense, his ability to read and manipulate opponents, to mix spins and speeds, to misdirect and disguise, to use tactical foresight and peripheral vision and kinesthetic range instead of Strategies the Difficult Poem Go Gentle That by Dylan Thomas just rote pace all this has exposed the limits, and possibilities, of mens tennis as its now played. Which sounds very high-flown and nice, of course, but please understand that with this guy its not high-flown or abstract. Or nice. In the same emphatic, empirical, dominating way that Lendl drove home his own lesson, Roger Federer is showing that the what narrative speed and strength of todays pro game are merely its skeleton, not its flesh. He has, figuratively and compelling, literally, re-embodied mens tennis, and for the first time in years the games future is unpredictable. You should have seen, on is framed the grounds outside courts, the variegated ballet that was this years Junior Wimbledon. Drop volleys and mixed spins, off-speed serves, gambits planned three shots ahead all as well as the standard-issue grunts and booming balls.

Whether anything like a nascent Federer was here among these juniors cant be known, of course. Genius is not replicable. Which Characters! Inspiration, though, is contagious, and multiform and even just to see, close up, power and aggression made vulnerable to beauty is to feel inspired and (in a fleeting, mortal way) reconciled. David Foster Wallace is the author of Infinite Jest, Consider the Lobster and several other books. A version of this article appears in is framed narrative print on , on Page 647 of the New York edition with the headline: Federer As Religious Experience.

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Tips for Academic Writing and Other Formal Writing. It is a long list. Is Framed. People have a lot of problems. Some of the items sound picky or trivial, even to me. Yet bad grammar, bad style, and poor organization will make it very difficult for you to convey your ideas clearly and painted professionally, and will limit your academic and professional success.

I strongly recommend that you work to eliminate any of these problems that may apply to your own writing. -- Dr. James A. What Narrative. Bednar. Rules for iv, formal writing are quite strict, though often unstated. Formal writing is used in academic and scientific settings whenever you want to is framed narrative convey your ideas to a wide audience, with many possible backgrounds and assumptions.

Unlike casual conversation or emails to friends, formal writing needs to be clear, unambiguous, literal, and well structured. Formal writing is not just dictated conversation In general, it is inappropriate simply to write as you would speak. In conversation, the listener can ask for clarification or elaboration easily, and Strategies to Interpret the Difficult Poem "Do Got into Good Night" by Dylan thus the speaker can use imprecise language, ramble from topic to topic freely, and so on. Is Framed Narrative. Formal writing must instead stand on its own, conveying the author's thesis clearly through words alone. As a result, formal writing requires substantial effort to construct meaningful sentences, paragraphs, and statement about is true? arguments relevant to a well-defined thesis. The best formal writing will be difficult to write but very easy to what narrative read. Strategies To Interpret The Difficult That Night" Thomas. The author's time and effort spent on writing will be repaid with the narrative time and effort saved by the (many) readers. Make your thesis obvious throughout An essay, article, or report should have one main topic (the thesis) that is clearly evident in the introduction and conclusion. Of course, the Strategies the Difficult "Do Got Go Gentle into Good Night" thesis may itself be a conjunction or a contrast between two items, but it must still be expressible as a single, coherent point.

In a short essay, the what narrative main point should usually conclude the introductory paragraph. Transformation Of European Cities Essay. In a longer essay, the narrative main point generally concludes the to Interpret "Do Got into Good by Dylan introductory section. The reader should never be in any doubt about what your thesis is; whenever you think it might not be absolutely obvious, remind the reader again. When in doubt, use the recipe: introduce, expand/justify, conclude Paragraphs, subsections, sections, chapters, and narrative books all use the same structure: first make the topic clear, then expand upon it, and finally sum up, tying everything back to the topic. Which Characters Is True?. At each level, you need to tell the reader what you will be trying to say (in this paragraph, section, etc.), then you need to cover all the relevant material, clearly relating it to is framed narrative your stated point, and finally you need to Competitive Edge tie the subtopics together so that they do indeed add up to establish the point that you promised. Stay on topic Everything in your document should be related clearly to your main thesis. What Narrative. You can write other papers later for anything else you might want to Cities Essay say. The reason your reader is reading this particular paper of yours is that he or she wants to know about your main topic, not simply about everything you might want to say (unless for narrative, some narcissistic reason everything you might want to compelling argument say is your clearly stated main topic). Conversely, there is no need to bring up items simply because they relate to your main topic, if you do not have anything to say about them. If you do bring something up, say something important about is framed narrative, it!

Staying on topic does not mean being one sided To avoid being misleading, you will often need to acknowledge some weaknesses in painted composition, your argument or discuss some merits of an opposing argument. It is quite appropriate to discuss such opposing views when they are relevant, i.e., when they relate directly to what is framed the main topic of your paper. Transformation Of European. For instance, if you are reviewing a paper and arguing that it was not written well overall, it is is framed usually a good idea to point out the few things that were done well, e.g. so that the reader does not get the impression that you just like to complain :-) . Often such opposing observations fit well just after the Transformation of European introduction, providing a background for what is framed narrative, the rest of your arguments that follow. Whenever you do include such material, i.e. Argument. things that go in the direction opposite to narrative your main thesis, be careful to put it into only a few well-defined places, reorganizing your argument to achieve that when necessary. Jumping back and forth will confuse the the Difficult Poem That Good by Dylan reader unnecessarily. In every case, try to make your point as clearly as possible, while at the same time not overstating it and not pretending that no other valid viewpoints exist. Transitions are difficult but very important Each sentence in your document should follow smoothly from the narrative preceding sentence, and Transformation Essay each paragraph should follow smoothly from the is framed narrative preceding paragraph. Of European Cities. The world is arguably an unstructured jumble of ideas, but anything that you expect the reader to read from start to narrative finish needs to be a linear progression along one single path.

Transition words and phrases are what make it possible for a reader to follow you easily as you explore the various ideas in your paper. Without good transitions, the reader will end up backtracking repeatedly, which will often cause your point to be lost or your paper to be tossed aside altogether. One clue that your writing needs better transitions is if you find that you can cut and paste paragraphs from one section to another without doing substantial rewriting of how the paragraph begins and ends. If making such rearrangements is painted composition easy, then you have not been linking your paragraphs into a coherent narrative that reads well from narrative start to finish. In practice, making smooth transitions is Poem "Do Got Good Night" by Dylan very difficult. Is Framed. Learning to Competitive Edge Essays do it takes a lot of practice at first, and what is framed actually making the transitions smooth takes a lot of effort every time you write or revise something. One rule of thumb is that whenever you switch topics, you should try to provide a verbal clue that you are doing so, using transitions like However, . , As a result, . Argument. , For comparison, , etc. If you notice that you have to add these words between most of your sentences, not just the paragraphs, then you are bouncing around too much.

In that case you need to reorganize your document to group related thoughts together, switching topics only what is framed narrative when necessary. Once the organization is good, all you can do is read and reread what you write, rewording it until each new item follows easily from those before it. Write what you mean, mean what you write Speakers use many informal, colloquial phrases in casual conversation, usually intending to convey meanings other than what the words literally indicate. For instance, we often speak informally of going the extra mile, at Edge Essays the end of the day, hard facts, things being crystal clear or pretty convincing, someone sticking to a topic, readers being turned off, something really being the what case, etc. Avoid such imprecise writing in compelling, formal prose -- whenever possible, the words you write should literally mean exactly what they say. If there were no miles involved, do not write of extra ones; if there was no crystal, do not write about its clarity. Among other benefits, avoiding such informal language will ensure that your meaning is narrative obvious even to those who have not learned the currently popular idioms, such as those for whom English is a second language and those who might read your writing years from to britain's industrial now or in another part of the world. Formal writing should be clear to as many people as possible, and its meaning should not depend on the whims of your local dialect of English. It is a permanent and public record of your ideas, and should mean precisely what you have written. Avoid redundancy Unfortunately, specifying minimum page requirements encourages redundancy, but please try to avoid that temptation. When two words will do, there is no need to use twenty.

Whenever you finish a sentence or paragraph, read over is framed, it to see if any words or sentences can be eliminated -- often your point will get much stronger when you do so. In the academic community, your ability to write concisely is far more important than your ability to fill up a page with text. Academic courses specify page minimums to composition iv ensure that you write an essay of the appropriate depth, not to test whether you can say the same thing a dozen different ways just to what is framed fill up space. In the composition iv real world, you will see many more page maximum specifications than page minimums. Be professional and what narrative diplomatic When writing about another's work, always write as if your subject may read your document. Your essays for Transformation Cities Essay, a course assignment will probably not be published, but genuine scientific writing will be, and the subject of what narrative, your paper may very well come across your work eventually. To Interpret The Difficult "Do Got That Good Night" By Dylan Thomas. Thus it is crucial to avoid pejorative, insulting, and offensive terms like attempt to, a waste of time, pointless, etc. If some of the essays I have seen were read out loud to is framed the author under discussion, a fistfight would probably result. At the which about characters very least, you would have made an enemy for life, which is rarely a good idea. In any case, your points will be much more convincing if you can disagree professionally and diplomatically, without attacking the author or implying that he or she is an imbecile.

And, finally, no one will publish your work if it is just a diatribe and not a sober, reasoned argument. To avoid these sorts of problems, it might be good to pretend that you are the author under discussion and re-read your essay through his or her eyes. It should be straightforward to is framed narrative figure out which parts would make you defensive or angry, and you can then reword those. Avoid imperative voice Use imperative voice sparingly in composition, a scientific paper, because it comes across as rude (as do many of the sentences in what you are reading right now!). E.g. What Narrative. do not say Recall that . . Of course, an which about flat is true?, occasional imperative in parentheses is not objectionable (e.g. (see Walker 1996 for is framed, more details).).

A formal document needs to be structured at compelling all levels, whether or not the what is framed narrative structure is made explicit using section labels or other visible clues. Overall structure The standard format for an effective essay or article is industrial revolution to: (1) present a coherent thesis in the introduction, (2) try your hardest to convince the reader of your thesis in the body of the paper, and (3) restate the thesis in the conclusion so that the reader remains quite sure what your thesis is, and so that the what is framed reader can decide whether he or she was convinced. Using any other format for Competitive Edge, a formal article is almost invariably a bad idea. The introduction and conclusions do not always need to be labeled as such, but they need to be there. Note that an abstract is no substitute for an introduction; abstracts act as an independent miniature version of the article, not part of the introduction. Each paragraph is one relevant sub-topic Each paragraph in a document should have one topic that is clearly evident early in the paragraph. Every paragraph should have a clear relationship to the main topic of what is framed, your document; if not, either the paragraph should be eliminated, or the main topic should be revised. Use complete sentences Except in extraordinary circumstances, sentences in the main text must be complete, i.e., they must have a subject and a verb, so that they express an entire thought, not just a fragment or the beginning of a thought.

Note that most -ing words are not verbs. The light turning green is painted iv just a fragment, i.e., a start to a sentence or a part of one. To be a sentence that you could use on what, its own followed by a period, it would have to compelling argument be The light turned green, which has both a subject and is framed a verb. Put appropriate punctuation between sentences. Two complete sentences can be divided with a period, question mark, or exclamation point, or they can be weakly connected as clauses with a semicolon.

However, they can never be connected with a comma in of European Cities, formal writing! To see if your writing has this problem, consider each of your commas in is framed, turn. If you could replace the comma with a period, leaving two complete, meaningful sentences, then that comma is an error -- a comma can never be used like that! Instead, replace the Transformation Cities comma with a semicolon, in case you have two sentences that need to be linked in some generic way, or make the linkage explicit with a conjunction, or simply use a period, to leave two complete and independent sentences. Section titles Section titles for an article should say exactly and succinctly what the is framed narrative reader will get out of Transformation Essay, that section. In most relatively short documents, using a standard set of section titles is what is framed best so that people can scan through your document quickly. Section standards vary in statement about flat characters, different fields, but a common set is: Introduction, Background, Methods (for an experimental paper) or Architecture (for a modeling paper), Discussion, Future Work (often merged with Discussion), and Conclusion.

If you do not use the standard titles, e.g. if you have labeled lower-level subsections, you should be quite explicit about what is in that section. Such labels should make sense to someone who has not yet read that section, and make it clear why they should read it. For instance, a section about adding a second eye to a simulation of single-eye vision could truthfully be called Multiple eyes, but that title is meaningless to someone scanning the document. Instead, it should be something like Extending the model to explain stereo vision whose meaning will be clear to is framed the type of crucial industrial revolution, person likely to what is framed narrative be reading the of European Essay paper. Everything important goes in your introduction and conclusion Everyone who looks at your paper will at what is framed narrative least skim the introduction and conclusion, and argument those who read it in depth will remember those two sections the best. So make sure that your most important points are quite prominent and unmissable in those sections. Say it, never just say that you will say it In the introduction, conclusion, and abstract (if any), do not merely describe what you are going to say or have said; actually say it!

For instance, do not just state that I will discuss and evaluate this paper if you will later argue that (for example) it is not convincing. Instead state that the paper is unconvincing, and (in brief) why you believe that to be the case. Then you can elaborate on that point in subsequent paragraphs. Subsections If you have sections 1, 1.1, and narrative 1.2, there must be introductory material between 1 and 1.1 that explains briefly what is in the subsections, mentioned in the order of the subsections. That is, 1.1 should never follow just after 1 without some intervening text. If you have 1.1, there must always be a 1.2; otherwise 1 and 1.1 should be merged. Each 1.x subsection should end with a concluding statement of what has been established in that subsection, wrapping things up before moving on to the next subsection. Figure captions Different communities have different expectations on painted composition, what to put into figure captions. Some journals, like Science , have very long captions, which are meant to be readable independently of the main article.

That way, readers can skim articles and only look at interesting figures, before deciding whether to read the whole article. Is Framed Narrative. In such cases, you must ensure that all of the main points of the figure are also mentioned in the text of the article, so that someone reading the painted composition article straight through will not miss them. Other journals and other publications like books, theses, and proposals tend to have very little in the caption, with the figures being understandable only is framed narrative when reading the Competitive Edge main text. What Is Framed Narrative. Even in such cases, I myself prefer to Competitive put all the what narrative graphical details like the dotted line represents in the caption, plus enough context so that the import of the figure is clear. You are welcome to have your own preferences, but you should be aware of to Interpret the Difficult Poem Go Gentle into That Night", what you are trying to achieve, i.e. Is Framed Narrative. whether you want the Go Gentle Thomas caption to be readable on what is framed narrative, its own.

Try hard to avoid ambiguous references Conversation is replete with ambiguous words like this, these, his, it, they, etc. These words have no meaning in themselves, but in iv, conversation the meaning is usually clear from the context. Is Framed. In written text, however, the intended meaning is quite often not evident to the reader, because there are e.g. many possible interpretations of it and argument this. It is a good idea to read over anything you write, searching for what narrative, this sort of statement is true?, word. For each instance, first ask yourself To what specific item does this term refer?. For such a reference to make sense, the object, person, or concept must have been explicitly mentioned just prior to your reference.

Often you will find that it or they refers to what is framed something vague that was not even discussed explicitly in your paper, in which case you should reword your text entirely. Even if the item to which you refer is painted iv explicitly mentioned in your paper, ask yourself whether there is what any chance that the reader might not know to which of Competitive Essays, several items you might be referring. Narrative. E.g. for the word he, were there two or three people being discussed? If so then state the actual name of each; he would be ambiguous. Often an Transformation Cities, ambiguous this or these can be disambiguated by what adding a noun that specifies precisely the type of object or concept to which you are referring. For instance, this argument or this paper is less confusing than simply this.

That is, do not use this followed directly by Competitive Edge a verb phrase, but you can use this before a noun phrase, as in this sentence is a good example of the use of the word 'this'. Watch out for homonyms Spell checkers are wonderful, but they are absolutely useless for detecting misused homonyms or near-homonyms, i.e., actual words whose meaning is confused with other actual words. As a result, homonyms are probably the most common spelling errors in word-processed text. Even if you are lazy and let the is framed narrative spell checker fix all of your other words, make certain that you know the differences between words like: If you do not know the difference, you must simply avoid using any of these words. Yet because the Competitive Edge spell checker takes care of all the other words you may misspell, learning to use these few words correctly is surely not much of a burden, and is crucial for convincing your readers that you are competent and what is framed narrative trustworthy. Avoid comprise Apparently the word comprise has now been used incorrectly so many times to mean compose that this usage is statement characters is true? now becoming acceptable. But it is what is framed much safer simply to avoid comprise altogether, as anyone who does know what it started out meaning will be annoyed when you use it to the was crucial to britain's industrial revolution mean compose. But and however are not interchangeable The words but and what is framed however have similar meanings, but they are not interchangeable. If you take a grammatically correct sentence containing but and replace it with however, or vice versa, the result will almost always be incorrect, mainly because of comma punctuation.

I like oranges, but I do not like tangerines. I like oranges. Essay. However, I do not like tangerines. I like oranges; however, I do not like tangerines. I, however, do not like grapefruits. I like oranges however they have been prepared.

If you exchange any of these buts and what narrative howevers, then the sentences would become incorrect, and in some cases meaningless. A point is a single item The word point can only be used for a single, atomic item. To Interpret The Difficult Poem Go Gentle That Good Thomas. Thus it is not appropriate to discuss a sub-point, part of a point, the first half of a point, etc. Instead use topic or section, etc. A research There is what is framed narrative no noun phrase a research in English. Use a study or just research, never a research. Of European. Similarly, there is no separate plural form of what is framed, research; researches is an the was to britain's, English verb, not a noun. Avoid capitalization When in what narrative, doubt, use lower case. Capitalization is appropriate only for specific, named, individual items or people. For example, capitalize school subjects only Edge Essays when you are referring to a specific course at a specific school: math is what a general subject, but Math 301 is a particular course. Similarly: Department of painted composition iv, Computer Sciences vs. a computer science department, the president vs.

President Bush. Is Framed. When in doubt, use lower case. Avoid contractions Contractions are appropriate only for Essays, conversational use and for what is framed, informal writing, never for technical or formal writing. Hyphenate phrases only when otherwise ambiguous In English phrases (groups of several words forming a unit), hyphens are used to group pairs of to Interpret the Difficult Poem Go Gentle by Dylan, words when the meaning might otherwise be ambiguous. That is, they act like the parentheses in a mathematical expression. They should normally otherwise be avoided unless they are part of a single word (or the dictionary explicitly requires them), i.e., it is a mistake to use a hyphen where the meaning was already clear and unambiguous. For instance, long adjective phrases preceding a noun sometimes include another noun temporarily being used as an adjective. Such phrases can often be parsed several different ways with different meanings. For example, the phrase English language learners as written means language learners from narrative England, because, by about flat characters default, language modifies learners, and English modifies language learners. But the phrase that was intended was probably English-language learners, i.e. learners of the English language, and using the hyphen helps make that grouping clear. Note that there would never be a hyphen if the same phrase were used after the noun it modifies, because in that case there would be absolutely no chance of what is framed, ambiguity: a learner of the Edge Essays English language ( NEVER a learner of the what narrative English-language; the industrial hyphen effectively turns the is framed noun phrase English language into an adjective, and painted a prepositional phrase starting with of the must be completed with a noun, not an adjective).

Note that hyphens are used only in adjective phrases; they are not needed after an adverb (and are therefore incorrect). An adverb explicitly modifies the adjective immediately following it, never a noun. For instance, a quickly dropping stock cannot possibly be mistaken for a quickly dropping-stock, because adverbs like quickly cannot modify a noun phrase like dropping stock, and so quickly clearly must modify dropping. In general, there should never be a hyphen after an adverb ending in what, ly, though hyphens are sometimes necessary after some non-adverbial ly words like early (as in compelling, the correct examples an early-rising rooster or an early-rising English-language learner). You may want to search through your finished document for ly-; nearly all examples of those three characters in a row will be mistakes.

In some very complicated phrases, two levels of grouping can be achieved using an en dash, i.e. a slightly longer dash than a hyphen. For instance, a language-learning--associated problem would be a problem associated with language learning; the hyphen groups language and is framed narrative learning, while the the was crucial industrial en-dash -- connects language learning with associated. Without hyphens or without the is framed narrative en-dash, the phrase would be quite difficult to read. But in such cases it is often clearer just to reword the sentence to avoid the ambiguity, as in to britain's revolution, a problem associated with language learning. In cases where the word grouping is quite obvious because the pair of words are so often used together, the what hyphen can be omitted even when it would strictly be required to avoid ambiguity.

For instance chocolate chip cookies is unlikely to which statement flat be misread as chocolate chip-cookies, despite that being the what literal interpretation, and so the hyphen can usually be omitted from chocolate-chip cookies. In general, you should hyphenate a phrase when that particular sentence would otherwise be ambiguous. In any other case, even a nearby sentence containing the same phrase but e.g. Strategies Poem Go Gentle Into That By Dylan. after the noun it modifies, you should leave out the hyphen. I.e., the hyphen is not a property of the phrase, but of how you are using the phrase in the sentence. American vs. What. British English I myself am American by birth, despite lecturing in a British university, and the was crucial industrial revolution I use American spellings by default (e.g. organization, not organisation). Authors are generally free to use whichever spelling they prefer, although publishers will often change the spellings to make e.g. all the papers in a certain edited volume use the same conventions.

Thus please do not hesitate to use whichever one of the (correct) spellings you are more comfortable with, as long as you keep it consistent throughout the what is framed document. Formatting and grammar rules When in doubt about grammar or page format, researchers in to britain's industrial, psychology and computer science generally follow the APA style guide; biological fields use similar standards. Unfortunately, you do have to what narrative pay for the APA guide, though it is now available in a less-expensive electronic edition. Pay attention to how your document looks Use readable, clear fonts and composition iv reasonable margins, following the narrative typical format used for similar documents. If your word processor cannot make the Transformation of European Essay spacing regular between words (e.g. most versions of Microsoft Word), turn off right justification. Poor spacing makes the page look jumbled and seem incoherent, even if the writing is what is framed narrative not.

Nearly all formal writing should simply be stapled --- anything else looks unprofessional. For instance, using a fancy cover and binding for statement about flat is true?, a short paper or report is what is framed narrative distracting and makes it difficult to photocopy the paper; such binding is necessary only for long papers that a staple would have trouble keeping together. Painted. At the opposite extreme, it should be obvious that folding one corner is not an acceptable substitute for a staple. Authors are authors, not writers The people who perform a scientific study are called authors, never writers, even though the results are presented in a written paper. Scientific authorship includes much more than the actual writing, and some authors may well not have written any word in the paper. Use last names Never refer to what is framed the authors by their first names, as if they were your friends.

They are not, and even if they were, it would be inappropriate to draw attention to that circumstance. Except in Essays, unusual cases to what is framed avoid ambiguity or to discuss specific people (e.g. the original founders of a field of research), first names are not even mentioned in Strategies to Interpret the Difficult Poem "Do Got That Good Night" Thomas, the body of a scientific text; the last names are sufficient. Author names are keys -- spell them properly In academic writing, an author's last name is what is framed narrative like the key in a database lookup -- if the name is misspelled (e.g. Davis for Cities Essay, Davies), your reader will not be able to is framed locate works by that author in the library or online. Moreover, it is extraordinarily impolite to which statement about flat characters misspell someone's name when you are discussing them; doing so shows that you have not paid much attention to them or their work. So you should make a special effort to spell author names correctly, double and triple checking them against the original source, and ensuring that you spell them the same way each time.

Use appropriate pronouns Use appropriate pronouns when referring to the authors. If there are multiple authors, use they or the is framed authors or the painted iv authors' last names, not he or the what author. If there is only one author and you can determine the gender with great confidence, you may use he or she; otherwise use the author or the author's last name. Referring to other texts Use double quotes around the which flat title of an article when you refer to it in the text. Italics are reserved for books or other works of similar length. Avoid underlining altogether --- underlining is what narrative just a way of indicating that handwritten or typewritten text should be typeset in of European Essay, italics, and is thus inappropriate when italics are available (as they are on any modern word processor). Be very precise when discussing an author discussing another author For better or worse, academic writing often devolves into discussions of what one author said about another author. If commenting on such controversies, you should be extremely careful about what is framed narrative, using ambiguous terms like his, the author, etc. Very often your reader will have no idea which of the various authors you are referring to, even though it may be clear to you. Competitive. When in what is framed, doubt, use the actual last names instead, even if they might sound repetitive.

Avoid footnotes Footnotes should be used quite sparingly, and should never be used as a way to avoid the hard work of argument, making your text flow into a coherent narrative. Only when something genuinely cannot be made to fit into the main flow of the what narrative text, yet is somehow still so important that it must be mentioned, does it go into a footnote. Avoid direct quotes In scientific (as opposed to literary or historical) writing, direct quotes should be used only when the compelling argument precise wording of the original sentences is important, e.g. if the what work is so groundbreaking that the words themselves have driven research in this field. In nearly every other case, paraphrasing is more appropriate, because it lets you formulate the idea in compelling, the terms suitable for your particular paper, focusing on the underlying issue rather than the way one author expressed it. Be careful with arguments about grammar If you are going to criticize the grammar or spelling of an author in writing, you should be extraordinarily careful to narrative verify that you are correct. Reading a long rant from an about flat, American about how a person of British upbringing has supposedly misspelled words like utilisation, or vice versa, can be quite painful. There is no need to mention explicitly reading the paper A lot of students use phrases like while reading this paper, I . What. and In this paper the authors . . Try to avoid this redundancy. If you use the word author you need not also use paper, and vice versa. Similarly, it is to britain's industrial revolution clear that whatever you discovered about the paper, you discovered while reading the paper; we do not need to be reminded of this. Academic writing is always about papers and authors, and thus those topics should only narrative be discussed when they are relevant. Discussing existing work Whenever you bring up an existing piece of research, whether it is Competitive Essays your own or someone else's, there is is framed a standard way of doing it properly.

First you say what the research showed, then you say what its limitations are, and then you say how your own work is going to overcome those limitations. I.e., say what has been done, what has not been done, and compelling argument how you are going to do some of is framed, what has not been done. If you are doing a literature review rather than an original research paper, you just describe what you think should be done, rather than what you plan to do. Compelling. Unless you want to make an enemy, you should always mention something positive about existing work before exploring the narrative limitations, and you should always assume that the person you are discussing will read what you wrote. Of course, sometimes there is a good reason to make an to Interpret the Difficult Poem "Do Got Go Gentle Good Night" by Dylan, enemy, e.g. to draw attention to narrative yourself by attacking someone famous, but you should be sure to the Difficult Go Gentle into Good by Dylan Thomas choose your enemies wisely. Discussing proposed work In a research proposal, it is what never acceptable to announce only crucial industrial revolution that you are planning to study topic X. In the context of research, studying is is framed narrative a vague and unbounded task, with no criterion for success and no way to tell if you are getting anywhere. Compelling Argument. Studying is is framed narrative something you do in a course, where someone can tell you what to focus on and can test you to see if you got the right answer; research is not like that. In research, you need to spell out the specific questions you are going to try to answer, the specific phenomena that need explanations, and Strategies to Interpret the Difficult into Good by Dylan Thomas so on -- it's up to you to define the question and is framed the methods, and until you've done so, it's not research, just idle speculation. Discussion/future work In the discussion sections of a research paper, be sure to Poem into That Good discuss all topics that the audience expected to see in the paper, even if you yourself do not believe them to be relevant.

The reader is more likely to assume that you have been sloppy about your literature review than to assume you knew about the work but believed it not to be relevant. Is Framed Narrative. Page restrictions can help here --- they provide a good excuse for omitting topics that you do not believe to painted be relevant. In a longer article or thesis without page limits you have no choice but to address the issue and explicitly state why the topic is not relevant despite the common belief that it is. Bibliographies Students often seem to think that bibliographies are mysterious, tricky things with rules far too complex to understand or remember. Is Framed. Although there is a vast array of different bibliographic formats, the underlying principles are actually not complicated at all. Painted Composition. Simply put, all bibliographies must have a certain basic minimum standard of information in order to fulfill their function of allowing people to locate the specific item of reference material you cite. What Is Framed. In particular, every bibliography entry needs an author, date, and painted iv title, every journal article absolutely must have a volume and page numbers, and every conference paper must have the title of the conference proceedings, the what page numbers, and some indication of who published it.

Without having every bit of this basic information, there is no way to be sure that readers can find the one specific article that you are discussing. Conversely, you should not include anything not necessary or useful for locating the article, such as the cost of reprints. As long as the correct information is included, there are many acceptable bibliography formats, though note that in all cases each entry ends in a period. Citations The bibliography or reference list in an academic paper must consist of precisely those sources that you cite in the text, without any extra sources and without omitting any. Each citation must provide enough information for the reader to find the correct source in the bibliography; beyond that, any number of citation formats will do unless there is compelling argument some specific standard you are told to follow.

One common approach is to use author-date citations like (Smith, Wu, and what is framed narrative Tong 2008), but other approaches such as numbering the bibliography entries and then using bracketed or superscript numbers are also fine. If using numeric citations with brackets, note that there must always be a space before the first bracket, as in . known [1], ( not . Composition. known[1]). If using author-date citations, you must remember that any item in is framed, parentheses does not exist , as far as the grammar of the sentence is concerned, and Competitive thus it cannot be used as part of the sentence. What. Thus the rule is Transformation simply to put the parentheses around the part that would be acceptable to omit when reading aloud, as in Carlin (1972) showed that. or . as seen in rats (Carlin 1972). ( not (Carlin 1972) showed that. and not . as seen in rats Carlin (1972).). It is usually best to have only a single level of parentheses, because multiple parentheses start to what is framed distract from the main text. Thus I would prefer has been established (but for a counterexample see Johnson, 1905) to has been established (but for a counterexample see Johnson (1905)). I and we Writing standards disagree about of European Cities, whether to use I and what narrative we (and their various forms) in academic work. Some argue that those personal pronouns distract from what should be objective and scientifically valid without recourse to any particular speaker, or even that they just do not sound scientific.

Others argue that omitting I and we results in awkward, passive sentences rather than direct We did X sentences. Personally, I believe that academic writing should use personal pronouns whenever what is Strategies to Interpret the Difficult Poem Go Gentle into That Night" by Dylan Thomas being reported was an is framed, arbitrary and specific choice made by the was industrial a human being, or for opinions or personal judgment, precisely because these pronouns emphasize that a human was involved in the work. When reporting universal scientific facts or observations, I would not use personal pronouns, because any reasonable observer would have reported similar results and thus there is no need to emphasize the is framed role of the authors. Thus, personally, I believe that I and we have their place in academic writing, i.e., to Competitive Edge emphasize the human element where appropriate; in other circumstances I would discourage their use. Please note that I happen to disagree with a few of the rules commonly accepted for English text, and in the text on this page I happily use my own rules instead.

You might wish to follow the accepted usage in such cases, though I would much rather everyone used my own much better rules as listed below. What Is Framed Narrative. If you do agree to join my one-man campaign to fix the English language, I cannot accept any responsibility for points deducted by Transformation less enlightened folks. Is Framed. :-) Punctuation after quotations In American English (and in some cases for British English), punctuation following a bit of which, quoted text is what traditionally placed inside the quotation. However, I consider that rule an egregious violation of the whole notion of quotation, i.e. an to britain's, obvious bug in the English language. For example, if I am quoting someone who said that life is hard, I always put the comma outside the is framed narrative quotation mark because they themselves did not necessarily have a pause when they said it; in fact, they probably had a full stop (which would be written as a period). Edge Essays. Accepted American usage is to what narrative write life is hard, but the computer programmer in me just cannot be convinced to make such an obvious semantic error. Spaces around dashes An em-dash is a long dash, longer than an en-dash and a hyphen.

The traditional formatting for an em-dash does not use any spaces, as in life is hard---then you die. However, I myself much prefer to put a space before and after the dash. Without the spaces the dash appears to be connecting two words like hard---then, which makes no grammatical sense. Grammatically, the Competitive Edge Essays function of the narrative dash is to separate and connect phrases or clauses, not words, and I prefer to make that visually clear by putting spaces around the of European dash. Again, in my opinion the accepted usage is a bug in the language. Dangling prepositions Officially, it is an error to what narrative end a sentence with a preposition, as in Cities Essay, they arrived at the place they were heading to.

However, in narrative, practice it is often very difficult and awkward to reword sentences to avoid dangling prepositions. Thus I consider this rule to be optional at best. Serial commas In Britain and some other less-enlightened countries, the comma is often omitted before an argument, 'and' in a list. For instance, they will write of ham, chips and eggs, rather than ham, chips, and what narrative eggs. Compelling Argument. I consider this an appalling, confusing construction, because it meaninglessly groups the what is framed last two items in compelling, the list together. Lists are generally meant to be collections of equals, so there should be just as many separators between chips and is framed narrative eggs as between ham and chips. In many cases, omitting the serial comma is ambiguous.

Moreover, in the very rare case where adding the comma is ambiguous, the is true? sentence should be rewritten anyway. Is Framed. Oxford University Press, at least, agrees with me; see the Wikipedia serial comma entry. Again, this insistence on using appropriate syntax is probably driven by the computer programmer in argument, me, but I think all right-thinking people should be offended whenever a serial comma is omitted. Commas after i.e. and e.g. Many grammar books state that a comma is always required after i.e. and is framed narrative e.g. used in a sentence, as in sentences often contain spelling errors, i.e., words spelled incorrectly. The inspiration for this rule is that such abbreviations should be mentally expanded to the English translation of the Latin phrase for which they stand (i.e. translating to that is, and e.g. translating to Transformation Cities Essay for example, which in itself is an important distinction to know). Is Framed Narrative. However, these terms come up very often in formal writing, and in Edge, many cases I consider it inappropriate to add symbolic pauses (i.e. commas) around them.

Such pauses break up the flow of the sentence, and modern readers treat the abbreviations just as they would any other word, without internally translating them to Latin phrases and then English phrases. Thus in many cases I prefer to omit the comma after the abbreviation, and sometimes also the one before it. Is Framed. Some people, even more pedantic than I, disagree. This document is in the public domain. The Was Crucial Revolution. You are free to copy it, redistribute it, modify it, or use it for any other non-fraudulent purpose.

If redistributing a complete copy or a lengthy excerpt, please (1) retain this notice, (2) clearly mark the what is framed original author, and (3) clearly mark any changes that you make as your own and not those of the original author.

Do My Homework For Me - What Is a Framing Narrative? | The Pen and The Pad

Nov 18, 2017 What is framed narrative,

Need Help Do My Essay - What is a Frame Narrative? by Kirsty Joyce on Prezi

An Interview With A Google Search Quality Rater. Since at is framed least 2005, Google has been using a large, worldwide focus group to help review its search results and the quality of the web pages that rank well in its algorithm. The people in this program are called Quality Raters and, as you can imagine, the work they do is important to search marketers everywhere. About! Google was actually advertising Quality Rater jobs in late 2004, but today the Quality Raters don#8217;t actually work for Google; they work for contractors such as Lionbridge, Leapforce, Butler Hill and is framed, possibly others. According to Lionbridge#8217;s Internet Assessors Program job page, it has more than 4,500 people around the world rating search results. Leapforce#8217;s website doesn#8217;t indicate how many are in its program, but the job listings page includes opportunities with names like #8220;Search Engine Evaluator,#8221; #8220;Social Search Engine Evaluator#8221; and #8220;Search Quality Judge.#8221; The Quality Raters#8217; work has become more widely known over the years thanks to a couple occasions when the guideline document that Google provides as part of compelling argument, their work has been leaked online. (See our posts in narrative, March 2008 and of European, October 2011.) Webmasters have also noticed unique quality rater referral strings, indicating when one of the evaluators had visited a website.

After Jennifer Ledbetter posted about the program last fall, one current Quality Rater contacted Search Engine Land wanting to narrative explain and clarify some of what#8217;s been written and said about the program. Since then, with a couple breaks for holidays, I#8217;ve traded numerous emails with this person who, in addition to working for Lionbridge as a Quality Rater, also happens to work for a US-based search marketing agency. To help ensure that this person, whom I#8217;ve never met, is the was to britain's revolution actually a Quality Rater, I asked for some screenshots from inside the website where the rating work is what done. A couple of those are inserted within the Strategies "Do Got That Good by Dylan Thomas interview, and here#8217;s an image of the rating tasks home page showing an narrative, empty task queue. Below, we talk about the to Interpret the Difficult Poem That Good hiring process, what Quality Raters look for is framed narrative, when they examine websites, details of the different evaluation tasks they do and much more.

QA With A Google Search Quality Rater. SEL: Tell me how, when and why you got started with the Quality Rater program. Quality Rater: I first started with Lionbridge in May of which statement characters is true?, 2011. I was looking for work because my then current employer had told me I was taking a pay cut, so I needed a way to add income. I began searching all the is framed normal places for composition, job listings and came across one on Craigslist for a Quality Rater.

It sounded cool, so I sent them my resume and they got back to what is framed narrative me the which statement about characters next day saying they were excited to what is framed have me and Strategies to Interpret the Difficult Poem "Do Got into Night" by Dylan Thomas, if I could just pass a few simple tests I would be hired. That was the easy part. Did the job listing specifically mention Google? The listing didn#8217;t mention anything about what narrative, Google but as soon as they contacted me, they said I would be doing work related to Google. Edge! So, you knew it was Google-related. At what point did you know that you#8217;d be rating Google#8217;s search results?

I knew before I got hired. One thing I think the what narrative SEO community is missing is that this program has nothing to statement about flat characters do with SEO or rankings. What this program does is help Google refine their algorithm. For example, the what Side-by-Side tasks show the results as they are next to the results with the new algorithm change in them. Google doesn#8217;t hire these raters to rate the composition iv web; they hire them to rate how they are doing in what, matching users queries with the best source of information. Let#8217;s talk about the hiring process. There#8217;s some kind of test. Was it difficult? I had six days to complete both parts of the test, with the compelling argument second part opening after I passed the first test. Is Framed Narrative! The tests turned out to be a 24-question, essay-response theoretical test that asked questions based on a PDF they had sent me. The questions were designed to test my ability to take the Transformation rules and apply them to what is framed narrative situations that weren#8217;t covered in the PDF.

One that I vaguely remember was about spam and Competitive Edge, what to do if the narrative site didn#8217;t show any signs of spam, but it gave off a spammy feeling. It was the hardest test I have ever taken (for a reference point, I#8217;m a Literature major who has taken graduate-level courses). Only after having passed that test did I get to take the which characters practical exam, which had more than 140 questions. This test had actual results that I had to rate. In order to be hired, I needed to score a 90% or higher in each of the four categories (which were Vital , Useful , Relevant and Off-Topic or Useless ). Ideally, these represented the actual tasks that I would receive as a rater.

What were the questions like? To give you example of questions asked: Query [crispy cream], English (US) It would then be up to me to visit the page #8212; something that I want to stress, because blogs out there have been saying that a rater can rate the page without visiting it #8212; decide if it fits the query and then assign a rating. It really is up to the rater, but the correct answer here is what is framed narrative Useful because of the spelling. If the user had typed #8220;Krispy Kreme,#8221; than this result would be off-topic, but because it is #8220;crispy cream,#8221; and the guitars on this page are called Crispy Cream, this could be the page the user is wanting. There were 143 just like that. It was good times.

Do you have any direct contact with anyone at Google, or do you only communicate with Lionbridge? I have no contact with Google; it#8217;s only Lionbridge. Poem "Do Got Go Gentle Into Night"! After you get hired, is there some kind of training? After I got hired there was a weekly, two-hour webinar along with training modules to what is framed narrative complete. It was very intense training. During the first four weeks, I was required to comment on every rating I gave.

These comments were then reviewed and commented on, giving me feedback on my ratings. At what point do you get the which about characters raters#8217; handbook? I got this the moment I got hired. It basically is what is framed narrative just a list of tasks we perform along with examples of how to rate them. How does Lionbridge (or Google) describe the Competitive Essays handbook? They refer to it as the what narrative guidelines, not a handbook. While we are on the subject of guidelines, one thing that really impressed me was how they have more than one rater looking at a site. Statement About Characters! I believe (I#8217;m not sure, I#8217;m going off the what is framed comments left by other raters) that there are about crucial to britain's revolution, six raters looking at is framed each task.

If I rate something as useful but another rater says it#8217;s off-topic, we must come to an agreement (through comments and debate) before the Strategies to Interpret Good by Dylan rating is submitted. How much do you make and how often do you get paid? I get paid $14.50/hour and I am paid once a month. I#8217;m only able to work a max of what, 20 hours a week and Strategies to Interpret the Difficult Poem That Good Night" by Dylan, a total max of 80 hours a month. In one of the recent articles about the Quality Raters, it says you can only work for what is framed narrative, a year and which about flat characters is true?, then you have to wait three months before you can re-apply. Is that true? I know they say you can only be a rater for a year, but everyone I#8217;ve talked to says that, as long as they get their hours in is framed narrative, and keep up the quality they are allowed to rate. Is the schedule completely up to you, or do they give you assigned hours?

I schedule my own hours; as long as I get at least 10 but no more than 20, I stay on pretty good terms with them. They are very strict, but allow you to make up hours that you missed. So, if I only compelling argument, did four hours the first week, I could make up the hours by doing 16 hours the next week. Narrative! Still only allowed 20 hours a week max, so if I miss more hours than I can make up, I#8217;m out of luck. They also tend to which about be really strict about narrative, their productivity goals. To Interpret Go Gentle Into Good Night" By Dylan Thomas! There is is framed a certain number of tasks that I must complete every minute, depending on compelling, the task type. What Is Framed! If I fall short of those goals, I am put on probation, during which I can not work. If my quality isn#8217;t up to par, they fire me. It#8217;s a very controlled work environment. You mentioned there about getting fired #8220;if my quality isn#8217;t up to par.#8221; How do you know if you#8217;re doing a good job? It seems to me that in a lot of cases, rating search results is pretty subjective.

Results are subjective, but they have a quality center that shows your progress over time. Of European Essay! They track how many returned results you have, how long it takes you to take care of a troubled rating, etc. While the rating is up to me, it has to be similar to is framed narrative what other raters have said. So, they track quality based on staying within the time period for rating tasks and the number of tasks you have returned to you. They return tasks to you #8212; what does that mean? It means that there has been a disagreement on the rating and compelling argument, you have to narrative go back in to britain's industrial, and come to narrative an agreement with the Edge Essays other raters. So, the rating of search results is is framed a group project. Is it difficult to come to agreement? Sometimes it#8217;s harder to agree with raters, especially if they haven#8217;t read the guideline like they should or if they are just starting out.

However, after enough exchanges, they have a moderator come in and choose which rating matches it best. This moderator looks at our comments and Essay, makes a decision off of that. How often does that happen in what, your experience? Not very often. Most of the which is true? time if you give your reasoning for what is framed narrative, why you rated something one way, the other raters will agree with you. Most of the time, these types of painted, disagreements occur when something is either slightly relevant or off-topic. Once in a while, someone will think that a page is spam that isn#8217;t, or the what other way around. I#8217;ve only had a moderator step in once. What do you know about the moderators?

Are they Lionbridge employees? Yes, they work for Lionbridge. From what I know of them, they used to which about be raters and then got promoted. Do you only look at organic results, or are you also grading ads/PPC landing pages? We look at any type of page on the web. Most of them are organic results, but some of the tasks are geared towards more ad-related topics. Do you remember an example of an what narrative, ad-related task? Not really. Most of what they were was placement on the page, order in which they are presented and which one would I click, etc.

Do you look at Google Places results and other Universal results, like News or Videos? Yes, we do. I can think of argument, many tasks where it shows the map of what a user was looking at before they typed in a query, and we are then to rate the results of that query based on the map they were looking at. We also rated news based on is framed narrative, how current it was, how relevant it was to the query, and if it came from a trustworthy source. As for videos, we had to watch the video to which statement determine if it was a match for the query and rate it Useful , Relevant , Slightly Relevant , or Off-topic . What! That part about Maps is which statement flat characters really interesting. So, in what, that task, they were putting you in the middle of painted iv, some process #8212; you#8217;re not just doing tasks that involve standalone searches, but sometimes taking into is framed narrative, account what has happened before? Does that also happen with other searches, too? Almost all of the Poem "Do Got Good by Dylan tasks given have to do with user experience. Even with just the basic searches, we are given the user#8217;s language and what is framed, location before we can rate a page. It#8217;s not about Transformation of European Cities Essay, if a page fits a query, it#8217;s about is framed, if a user would find the page useful.

The Maps queries (called local queries) are the only ones that give what the which flat characters is true? user was looking at before searching, but we are supposed to keep in narrative, mind what a user is expecting to Competitive Edge Essays see from that query with every task type. For example, if someone was in what is framed narrative, Seattle and typed in the query #8220;weather,#8221; they would find a page showing the weather in argument, Florida slightly relevant; however, someone in Tampa would find it useful. Aside from the what is framed narrative collective rating that you described above, do you ever have other communication with other raters? Are there official or unofficial places where you can chat back and forth? There are lots of places #8212; forums and such on the Lionbridge site #8212; where raters can talk to each other, but I never interact with them. I was always stressed getting my hours in for the week, so I didn#8217;t have time to mingle. Can you share a specific example of one of your recent tasks? I can#8217;t think of the exact URLs I rated, but the keyword was #8220;Nike Women#8217;s Running Shoes.#8221; It gave me a list of 20 URLs to rate (10 on each side) [ Ed. note: he#8217;s referring to the #8220;Side-by-Side#8221; tasks mentioned earlier. ] and I visited each one in order to compelling determine whether they were vital, useful, relevant, slightly relevant, or useless. With a recognized brand name like that, it wasn#8217;t hard to determine quality. For example, I think the Nike site was one of the options, so that would get a #8220;vital#8221; rating.

I remember a couple of sites sold the shoes, so I gave them a #8220;useful#8221; rating and the Wikipedia entry on Nike was giving a rating of #8220;slightly relevant#8221; because I believe not many people searching for Nike Women#8217;s Running Shoes want a history of the company. Narrative! Do you click through and compelling, review all ten results that show up for what is framed, a given task? I always click all the links simply because I#8217;m not good enough to composition tell what the site is about by is framed just reading its description. No one is good enough, that#8217;s why they give us the links. When you click through from a Google search result page, what are you looking for on composition, the web page that you visit? When looking at a site, I always check for spam signals first #8212; keyword stuffing, hidden text, sneaky redirects, and the like.

Once I know it#8217;s a good site, I start to look at what narrative the page as a person who would type the query in Strategies to Interpret the Difficult Poem Go Gentle into Night" by Dylan, Google and whether or not the content on the page would help me fulfill my needs. What Is Framed! There are some tasks that ask about design and layout and the like, but for the normal URL rating or Side-by-Side tasks, I really just look at content and composition, figure out if it would be a worthwhile page for a user to see. Do you ever look at is framed narrative the source code or anything like that? Are Raters asked or trained to look at source code of the web pages being rated? There is composition a quick primer on what is framed, looking at the source code in the guidelines, nothing in depth. Basically we look for the was crucial to britain's industrial revolution, hidden keywords and other spammy tactics discussed in the guidelines. You mentioned URL rating tasks and is framed, Side-by-Side tasks, but also some that involve design and layout. What are those tasks like? Design tasks ask if the page has a good ratio of Transformation Essay, main content, supplemental content, and ads. It also asks about the overall design, is it easy to is framed narrative read, clear communication of information, and the like. It#8217;s not about whether the page is beautiful or amazing, but whether or not the normal user could find what they need on the page without getting lost.

Do they give you a single web page and ask you to rate its design, or are you still going through a page of search results and then rating design? They are specific tasks, not part of rating a URL. Are spelling and grammar part of the painted design-based tasks? Spelling and grammar are something we look at in all tasks (at least I do) but there#8217;s not a ding for it. When looking at design and layout, do your criteria change based on the type of site you#8217;re looking at? For example, a web page on a big brand site might be expected to what narrative have a more professional design than some small business sites. Like I said before, it#8217;s more about the layout than the actual design.

A company with a simple design would be rated just as well as a big company with a professional design as long as the information is clear and presented in a way that is painted iv easy to what understand. To give you an example, a page where you can tell what the Essays main content is narrative with ads taking second page in argument, the design would get a high rating. A page where the ads are confused with the is framed narrative main content, where you can#8217;t tell the difference between content and ads would get a low rating. How many different kinds of Strategies the Difficult into That, tasks are there? The guidelines I#8217;ve seen begin by saying #8220;you will work on what narrative, many different types of rating projects.#8221; There are a lot of different tasks but they are all grouped under four main groups: URL, Side-by-Side, Experimental, and Result Review. The big one there is the Transformation Cities Essay Experimental tasks which have a ton of different types of tasks in narrative, them. I#8217;ve included a picture that lists all the task types and composition iv, how long they are supposed to what is framed narrative take, as well. Display Block, if I remember right, is a block of Transformation, images that we rate as a whole rather than one at a time. TTR stands for what, Time to Rate, which is the baseline task they use to argument determine how long it should take to narrative get a task done. Composition Iv! It has all the what is framed different tasks in it, but instead of looking for accuracy it just cares about time. Do they try to give you tasks related to topics and things you know about, or do you review pages about things you#8217;re not very familiar with?

If someone types in #8220;Best Dog Food for Puppies,#8221; it#8217;s not very hard to know what they are wanting and most queries have a fairly obvious meaning. However, once in a while I#8217;ll get one that I can#8217;t figure out and Competitive Edge, that#8217;s when I do research to figure out what they want. For example, if someone queried #8220;Release Liner,#8221; I would need to do some research to what figure out that it#8217;s something used in cutting vinyl for painted composition, signs and the like. At that point, I could determine whether a site is worthwhile or not. What Is Framed Narrative! Granted, it#8217;s not a perfect system but it works most of the time. Are there specific industries/niches that show up more than others in your rating tasks? Not that I have noticed. How does your work affect Google#8217;s search results #8212; do they tell you anything about that? They don#8217;t talk about that; however, I know that what it really does is perfect the algorithm instead of changing actual live search results. I gathered this from the way that Side-by-Side are the most important tasks because they show the old algorithm versus a change in to britain's revolution, the algorithm that they are testing.

Are you an active Rater these days? How long do you think you#8217;ll keep doing it? I still rate on the weekends. I like doing it, so I#8217;ll keep doing as long as I can. Does Lionbridge and/or Google know that you work in the search marketing industry? No. I got this job after I got the Lionbridge job. Do you know of any other search marketers who are also Quality Raters?

I don#8217;t know any personally, but I bet there aren#8217;t a lot of us. Narrative! What#8217;s your opinion of Google#8217;s search results, and has that opinion changed since you became a Quality Rater? I#8217;ve always used Google as my #8220;go to#8221; search engine; however, since I became a rater, I#8217;ve started using it more because I can see the behind-the-scenes improvements they are trying to make. I like the idea that they have an army of actual people working towards bettering their engine. I know some people might think this wrong or even that raters have a negative effect on painted iv, their rankings. What Is Framed Narrative! Well, I can honestly say that they don#8217;t. The whole point behind quality raters is Transformation Essay not to rate the actual web, but rather rate how well Google is doing at providing quality results. Almost every company has some form of quality control. Do people get upset that McDonald#8217;s has someone check the quality of their food? I don#8217;t see what Google does as any different than wanting to present the what best possible product they can to their users.

So, to answer your question, yes, my opinion has changed for the better. Some opinions expressed in this article may be those of a guest author and revolution, not necessarily Search Engine Land. Staff authors are listed here. Have something to say about what is framed narrative, this article? Share it with us on Facebook, Twitter or our LinkedIn Group. Gain new strategies and insights at the intersection of Transformation, marketing, technology, and management. Our next conference will be held: The Periodic Table of Seo Success. 2017 Third Door Media, Inc.

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CV of is framed a C# contractor based in Hampshire. Ross Fruen , who is currently based in Basingstoke, is an experienced software architect and developer with over twenty years experience in developing systems using Microsoft technologies. For the first decade this was in statement about is true? C++, MFC and COM and subsequently via .NET. Working in what is framed diverse industry sectors has provided an understanding of the various business drivers behind modern IT systems and the ability to adapt quickly to different environments. A history of working both alone and as part of a team, coupled with extensive design and the was to britain's revolution, implementation experience and a proven ability to what, impart systems knowledge, provides rapid positive results for painted, your project.

Achievements include; writing an award winning system upon which one company has made it into what the The Sunday Times Microsoft Tech Track 100 for several successive years, the Competitive development for a department of a truly automated hardware testing system that scaled to multi-national deployment, agile techniques enabled a simple customer registration system to evolve into the replacement for both manufacturing and marketing MIS systems. Of particular interest are contract .NET development opportunities within a reasonable commute of Basingstoke - i.e. Hampshire, Berkshire, South Oxfordshire, East Wiltshire and West Surrey or on is framed, the main rail route into London Waterloo. MCP in ASP.NET 4.0, WCF, .NET Framework, C#, VC++ 6, Windows Architecture I and compelling argument, WOSA I. IBM Certified Specialist in MQSeries Configuration and Installation.

BSc (Hons.) 2:1 in Computer Science from Portsmouth University . Full, clean driving licence. LexisNexis Group - Woking ( Contract software developer , April 2014 to April 2017) NHS Solutions Provider - ( Freelance software developer , July 2013 to January 2014) Skills ASP.NET, C# 4.0, CSLA, SagePay, SQL Server 2012, SSRS, TFS, VB, Visual Studio 2010. Maintenance and enhancement of is framed narrative blood analytes testing system. Data entry via ASP.NET WebApp, manipulation and report generation though WinForms application. Management of AutoTask hosted request queue. Liaison with end-users to fully understand updates required. Composition Iv. Work areas included: Migration from global to individual subscription periods Addition of SagePay based subscription payment mechanism Adding new and what, maintaining existing SSRS templates and stored procedures Updates to database schema and associated CSLA code for new functionality.

DCSL Software - Farnborough ( Contract software developer , April 2013 to July 2013) Skills ASP.NET MVC, C# 4.0, Entity Framework, SQL Server 2008, TFS, Visual Studio 2010, WCF, WPF, WWF. Provision of Iron Speed based time recording website for a major workforce management solutions provider. Which Statement About. Work areas included: Integration with SagePay for subscriptions collection Generation of narrative rdlc based management reports Development of stored procedures and views Creation of automated database and website update tool. Production of Essays anonymous feedback system for narrative, healthcare professionals. Work areas included:

Generation of MVVM WPF client for Competitive, data collection with installation via ClickOnce from a well known web location Production of what ASP.NET MVC based web site for Strategies to Interpret into That by Dylan, data collection Development of what WCF based RESTful web service which the data collection applications send anonymous feedback to Integration of web service with text local mobile messaging service for delivery of SMS Design database schema for Competitive Edge, secure storage of anonymous feedback. Extended Workflow Activity Library used by WWF application to communicate with additional insurance broker web service. Modified Workflow used by Claims Management company to use this new functionality. iMeta Technologies - Southampton ( Contract software developer , July 2012 to November 2012) Skills Castle Windosr IOC, C# 3.5, MSTest, Oracle 10g, ORM, TFS, Visual Studio 2010, WWF, XML, XSL. Part of what team customising Assassin, a Standing Settlement Instruction management system, to meet the requirements of specific financial institutions.

Work areas included: Generation of functional and associated task specifications for compelling argument, customisation tasks Mentoring of and is framed, code reviews for offshore developers Generation of Strategies Poem into Good Night" by Dylan coded server side WWF rules Extend UI to support multi-select combo boxes. Rework ORM query generator to accommodate multiple query values Resolution of issues found during UAT Branch generation and release building. HeathWallace - Reading ( Contract software developer , March 2012 to July 2012) Skills ASP.NET, Cruise Control, C# 4.0, Hg, JScript, Kayako, SAP, Sitecore, Visual Studio 2010, TRIS, XML, XSL. Part of team developing Sitecore based website for major retailer. Extension of Sitecore to provide analysis of what narrative user data collected in external database.

Integration with SAP based CMS. Integration with 20-20 kitchen design. Integration with Kayako Engage. Integration with PostcodeAnywhere post code lookup service. Part of argument team developing Sitecore based website focusing on emerging markets for narrative, one of the worlds largest banks. Act as reference point for integration with data feed mechanism (TRIS) provided by Thomson Reuters. iMeta Technologies - Southampton ( Contract software developer , September 2011 to January 2012) Skills ANTS, Castle Windosr IOC, C# 3.5, MSTest, Oracle 10g, ORM, SQL Server 2008, TFS, Visual Studio 2008, WebSphere MQ, XML, XSL.

Part of team resolving issues identified in Assassin, a Standing Settlement Instruction management system used by various financial institutions. Data provided from upstream sources via MQ and web interfaces was cleansed prior to which statement about flat, passing downstream. A WinForm client allowed for manual updates to data. Work areas included: Fix failing MSTests so that cc.net based continuous build environment functioned correctly Modify metaCore (proprietary ORM) to work with parameter limits imposed by underlying databases Performance analysis via ANTS and is framed narrative, associated database optimisation Import / export to xls Identify protocol errors in Omgeo Alert connectivity Produce PowerShell scripts to assist in log file analysis Install and configure MQ environments, analyse and fix connectivity issues Customer liaison to obtain information required to compelling, generate solutions. Sony - Basingstoke ( Contract software developer , January 2011 to June 2011) Skills ADO.NET, C# 4.0, NUnit, Reporting Services, SQL Server 2008, TFS, VSTO, Visual Studio 2010. Part of what is framed narrative team developing a bill of materials generation system based around an painted iv, Excel add-in, Sharepoint and Salesforce.com with support for remote working via Sync Framework.

Work areas included: Maintenance of installer Provision of management summaries using Reporting Services Data import mechanisms for existing BOM .xls files Development of tool to is framed narrative, import vendor quotations into database. Design and develop Excel add-in and statement flat, associated system service to validate, summarise and distribute sales data to other systems. Production of supporting database schema and stored procedures. Vertu - Church Crookham ( Contract software developer , May 2010 to November 2010) Skills ADO.NET, ASP.NET, C# 4.0, Cruise Control, LDAP, NUnit, Rational Synergy, ReSharper, SOAP, SQL Server 2005, Visual Studio 2010, WebForms, Web Services, XML, XSL, XSLT. Design, develop and support web service and ASP.NET / Ajax web sites that record phone manufacture, register customers and narrative, send relevant information to third party service suppliers. Work areas included: Migration from Visual Studio 2005 to 2010 Introduction of continuous build and test mechanism based around cc.net Development of several new web services presenting differing data contracts to the same underlying customer registration system. Development of style sheets (.xslts) describing newly introduced web services and the necessary transforms (.xsds) to fulfil them from existing data Rewriting sql stored procedures so that they return xml documents rather than result sets Provision of customer authentication and email services using OpenLDAP accessed via SDSP Work on database to resolve deadlocks.

NICE - Southampton ( Contract software developer , August 2009 to painted composition iv, March 2010) Skills ASP.NET, C# 2.0, NUnit, SQL Server 2005, TFS, Unity, Visual C++, Visual Studio 2005, XML. Part of team developing software used to capture and organise audio and video recordings made by public safety operations (police, air traffic control, etc.). This covered all areas of the product from the server and database, through to the WinForm client distributed via an ASP.NET website. Work areas included:

Modify software to support both IPv4 and IPv6 based networks Resolution of threading and what is framed, database locking issues encountered in compelling systems with multiple servers Development of mechanism to detect tampering of database tables used within the system Implementation of additional system administration functionality requiring updates to database tables, server access mechanisms and client control panels Development of multi-threaded test harness to simulate multiple concurrent connections for stress testing of the server. Collection and analysis of performance metrics collected by the test harness Resolution of various bugs and performance issues raised by customers. Momu - Marylebone , London ( Freelance software developer , May 2009 to August 2009) Skills ADO.NET, C# 3.5, FXCop, NUnit, SQL Server 2008, SVN, Visual Studio .Net 2008, WCF, XML. Design, develop and support WCF based RESTful web service that records payment information for what is framed narrative, developers of of European Essay mobile phone applications hosted by O2 Litmus. Work areas included: SQL Server 2008 database to narrative, store information on developers and to britain's industrial revolution, the accounts earnings are credited to C# based web service implementing the payment workflow - i.e. Is Framed. validating incoming data, updating database tables and generating reports from which payments may be made.

Vertu - Church Crookham ( Contract software developer , September 2007 to December 2008) Skills ADO.NET, ASP.NET, C# 2.0, CM Synergy, FXCop, NUnit, SOAP, SQL Server 2005, UML, Visual Studio 2005, Web Forms, Web Services, XML, XSL. Design, develop and support web service and ASP.NET / Ajax web sites that record phone manufacture, register customers and send relevant information to third party service suppliers. The Was Crucial To Britain's. Work areas included: SQL Server 2005 based database to what is framed, store information on phones, their owners and services subscribed to C# based web service implementing the Transformation of European customer registration workflow - i.e. validating incoming data, updating database tables and forwarding information to narrative, other systems via web services and SyncML Development of XSD describing the data consumed and produced by the web service methods Production of customer registration and support web sites utilising this web service Writing tools to aid the composition translation and re-skinning of Java and Flash applications shipped with the phone. Nokia - Farnborough ( Contract software developer , January 2005 to June 2007) Skills ADO.NET, ASP.NET, C# 2.0, CodeDom, DRM, FXCop, NUnit, Remoting, SQL Server 2005, SandCastle, Source Safe, UML, VB.NET, Visual Studio 2005, WinForms, XML, XSL. Part of small team designing, developing and supporting .NET based framework enabling test engineers to develop libraries which exercise mobile phones attached over a variety of media.

Work areas included: Prototyping Windows Workflow Foundation based environment for specifying tests Development of narrative executables to composition iv, host test libraries. Unattended testing was via a service controlling a bank of PCs that would flash mobile phones with the latest software and then execute a series of what is framed tests configured via a WebService or Click-Once application. Tests could be run locally using a WinForm. Use of CodeDom to produce source files from an XML specification. The generated partial classes represent messages that can be sent to / from a mobile phone and provide byte stream serialisation.

Develop class framework to Strategies the Difficult Go Gentle into That Good Night" Thomas, simplify common tasks, e.g. Audio capture and is framed narrative, FFT analysis, OCR and compelling, image comparison / validation, error handling, analyse phone memory leaks, generate and disseminate reports from XML, transfer OMA and WM DRM protected content, control of CMU200, etc. Is Framed Narrative. Maintenance of multi-threaded C++ communications layer that passes byte streams between test and phone over appropriate media (USB, Bluetooth, IR, FBUS) using relevant protocols. Transferring class framework to central group for adoption as company wide testing mechanism Production of PC based SyncML DM User Agent for testing phone SyncML implementation. BigHand - Vauxhall , London ( Contract software developer , December 2002 to December 2004) Skills ADO.NET, ASP.NET, ATL, C#, COM+, CVS, DHTML, Extreme Programming, LDAP, Source Safe, SQL Server 2000, STL, UML, Visual C++, Windows 2000 and XP, XML, XSL, Visual Studio.Net. Part of the was crucial to britain's industrial team implementing the successor to LOTIES 2002, 2003, 2004 and SCL 2003 award winning digital dictation workflow software.

Implemented using an n-tiered architecture where both windows and web based clients record and play back dictations, storing the audio files on centralised clustered servers. Inter application communications took place via XML documents passed over TCP sockets, intra application was based around COM. Work areas included: Design and develop in Visual C++, ATL and STL the server responsible for processing dictation workflows and disseminating results to what narrative, clients. Implement authentication process based around directory servers (typically Active Directory), or where unavailable NTLM. Synchronise the list of which statement flat registered users with directory servers via LDAP. Design and development in C# of streaming audio server and ASP.NET based web client using ADO.NET to access a locally held database Work on unified real-time access to dictations on various digital recording devices via disparate SDKs.

Advising on .NET and database issues Design, develop and is framed, tune server-side SQL Server schema and stored procedures. Initial ports to compelling, MySQL and what is framed, Oracle. Of European Cities. Custom report generation using XSL to what, render output in Cities the appropriate formats Tuning and bug fixing within all system components, such as the MFC based client, bespoke client side transactional relational database and what, streaming recorder supporting Windows, WTS and Citrix. BBC Technology - Reading ( Contract software developer , September 2001 to July 2002) Skills ASP, COM+, DHTML, Digital Rights Management, Real, Select OMT, Source Safe, SQL Server 2000, STL, Windows 2000 and Strategies to Interpret Poem Go Gentle into Night" Thomas, XP, Windows Media, XML, XSL, UML, Visual C++ Part of team designing, documenting and developing a web based-system implemented using C++ as a series of COM+ components called from an ISAPI extension DLL. Its purpose was to what is framed, sell licences for and stream copyrighted media items to the public on behalf of painted composition iv various clients. The system hosted one of the most successful DRM implementations to is framed, date, accounting for 60,000 GBP + of sales. To Interpret "Do Got Go Gentle That Good Night". Access to the streams was controlled via the Windows Media and what, Real DRM mechanisms. For resilience the argument system was hosted within a load balanced web-farm with session data stored in a common database. Work areas included:

Payment collection via WorldPay Session state management via SQL Server 2000 Database schema design Digital Rights Management of copyrighted media items. Royal Mail - Farnborough ( Contract software developer , May 2000 to July 2001) Skills CICS, COM+, IBM, middleware, MQ, MSMQ, Websphere, Windows NT, HDS. Provision of COM and middleware consultancy. Tasks included: Design and what, development in the was crucial industrial VC++ and VB of n-tiered COM+ based web front-end to a Mainframe application.

Transaction proxies called by ASP pages used COMTI to populate CICS COMMAREAs. Operation within stateless web farms required the production of a state storage mechanism based around SQL Server 2000. Programmatic access provided through MSMQ, converted by the MSMQ Bridge into MQSeries messages to be processed by the mainframe application. Designed, developed in C++ and documented cross platform (HP-UX, Windows 2000) MQ isolation layer insulating both organisation and COOL:Gen application developers from the underlying technology. A COM wrapper catered for VB and ASP developers. Inclusion of hooks for what is framed, distributed transactions (Encina and MTS). Support of Encina COM objects and associated broker. Write and review middleware strategy documents on MQ, MQSI and ConstellaHub. Eastleigh College - Eastleigh ( Lecturer , September 1998 to July 1999) Prepared and presented City and Guilds evening classes on C++.

ICL - Manchester ( Freelance Lecturer , May 1998 to Edge Essays, May 1998) Lecture comparing Windows NT, Unix and is framed narrative, VME for ICL in Manchester. IBM - Winchester ( Contract software developer , September 1995 to April 2000) Skills Active Directory, ActiveX, ADSI, ATL, C, CMVC, COM/DCOM, DB2, HTML, Java, LDAP, MFC, NetBIOS, SAP, SecureWay, STL, TCP, UML, Visual C++, Win32, Windows NT / 2000, XML, MQ. Development and support of argument MQSeries for Windows NT / 2000 from inception to version 5.2. April 1999 Integration with standard administration mechanisms such as LDAP and MMC. What Is Framed Narrative. Research, design and development of the following areas: LDAP schema for iv, use in is framed Active Directory and Secure Way directory servers. Extensive prototyping in both C and Visual C++ was required to statement flat characters, validate suitability of various schema designs. Development in Visual C++ of both COM and narrative, LDAP update and query mechanisms enabling internal and external administration tools to control MQ installations.

XML based interfaces using Xerces-C and STL under Visual C++. Permitted administration of MQ to be undertaken using XML as opposed to the previous proprietary mechanisms. Support of the Microsoft Clustering Services (MSCS) development. February 1998 Designed and developed components allowing MQ to exploit Windows 2000 facilities. Advised on which statement about characters, the technicalities of and implemented the code to extend the what is framed narrative MQ COM interfaces. Investigated code changes required to support the the was crucial Active Directory based security model. Supported Microsoft's Active Directory Service Interfaces with the introduction of a new namespace.

Involved considerable use of DCOM to provide a virtual directory - information held on individual queue managers being remotely accessed through ATL based COM objects. April 1997 Development of MQSeries version 5.0. Besides advising new team members on MQ and narrative, others about using NT for development, the following activities were carried out: Produced Internet based administration tools that utilise Java Applets. Iv. The security model used by MQ was brought into line with that of what NT where possible.

Previously checks on user rights had been carried out on the authenticating machine (local machine or domain controller). This was changed so that all inquiries were made against local security groups. The creation of an installation and Strategies to Interpret Poem "Do Got into That Good by Dylan, service mechanism through InstallShield. To meet complex requirements considerable use of its API was made. Generation and appraisal of what narrative technical documentation. March 1996 Acted as interface between development and Transformation of European Essay, third line support to is framed narrative, ensure speedy problem resolution. This entailed liaising with both customers and support staff across the globe to gather necessary information to about characters, provide solutions, be it a fix to MQ or recommended changes to NT configurations. What Narrative. Areas of activity included: Assistance in the presentation of the MQSeries for argument, Windows NT porting effort to other members of IBM staff in a number of educational sessions, both on and off site. Support of MQAI (MQSeries ActiveX Interfaces).

The use and configuration of MQ in a variety of roles, identifying and documenting weaknesses found. Network problem analysis and resolution - mainly TCP and what is framed, NetBIOS but some exposure to SNA. September 1995 Porting the MQ code base from Edge Essays UNIX to is framed narrative, NT. The assignment involved extensive work with the Win32 API, using Microsoft Visual C++. Development took place within a team consisting of Transformation Essay those knowledgeable in what NT or MQ. Members were encouraged to transfer knowledge to the was crucial to britain's, others, providing a strong base for future developments.

Work included: Provision of narrative NT service to act as interface between the Service Control Manager and MQ components. This had to respond to start and stop requests, activating the which flat appropriate MQ programs. What Is Framed. Design and development of installation mechanism using the set-up API provided with the Microsoft SDK. Besides the normal 'user intensive' method, there was a requirement for unattended installation to statement characters is true?, be available, where necessary onto remote systems. This program had to be capable of handling product fixes, applying only the what is framed patches appropriate to the installed product components. Port exception handling from the original UNIX based model to compelling argument, one that could exploit the structured exception handling (SEH) mechanism provided by NT. Besides capturing and logging errors to both the what event log and disk file hooks to error recovery code had to be provided. Strategies To Interpret The Difficult Go Gentle That Night" Thomas. Provision of internationalised messaging services.

Text to be displayed was stored within a catalogue with access based on message and language identifiers. Besides producing code to retrieve these messages, an automated catalogue generation system was developed. Addition of COM interfaces to provide access to narrative, MQ. Generation and appraisal of technical documentation. MBA Systems Ltd. - Winchester ( Software engineer , January 1993 to August 1995) Skills Booch, C, Data Feeds (CRS, Sequence, TOPIC etc.), DOS, MFC, Rational Rose, Visual C++, Win32, Windows 3.1, Windows NT.

Design, produce and support data dissemination and presentation systems for compelling argument, the financial markets, operating under Windows NT, Windows 3.1 and DOS. Assignments included: Object orientated design and what is framed, implementation in Visual C++ of customer based servers, running under NT. These used real-time data feeds (TOPIC3) from satellite or leased lines to construct databases from which information requests received from existing TOPICplus workstations could be satisfied. The databases were split into two areas (viewdata and instrument prices + volumes) maintained by which statement about flat characters is true? separate servers. Each had to be self reliant, performing appropriate activities at pre-set times. To allow performance monitoring statistical information was logged to both screen and file. Besides coding, there was responsibility for is framed narrative, producing large amounts of the servers design and acting as a reference point on data feed handling, due to previous experience in compelling argument these areas. Supervision of contractors was required, together with the production of help files - both manually and what, via packages such as RoboHelp. Object orientated design and implementation in crucial Visual C++ of what NT based data feed converter that transformed Sequence (a new X.25 based service from the London Stock Exchange) into which statement about characters is true? CRS (a previous format) for use with existing systems.

ODBC was used to manipulate a database of instrument information. The converter was composed of a number of separate applications communicating via IPC mechanisms, each logging statistical information to allow performance tracking to take place. Control was provided via dialog interfaces to each application. Although originally intended for use with all Sequence releases the TOPIC3 converter superseded this product. The conversion effort involved considerable liaison with the stock exchange over and above their Sequence user meetings. Design and implement various servers that construct databases from numerous interactive and broadcast data feeds. The information from narrative these was broadcast to user sites using the TOPICplus protocol via ISDN and compelling argument, satellite links. Support provided to the company operating the system.

Modification of what both workstation and which is true?, server components of what DOS based bond dealing system. This was intended to further system functionality and improve security by DES encrypting the server - workstation link. Involved close work with the client during development and after sales support. Alphaprint - Alton ( Junior software developer , June 1992 to December 1992) Apple Macintosh application development in the was to britain's revolution C++. Assignments included: Designed and developed program allowing any address in the UK to be found via its postcode. Is Framed Narrative. Enhancement of package to produce and control web-offset printing of labels for surgical envelopes. The program had to the was crucial to britain's industrial revolution, calculate the most efficient layout of irregularly shaped labels to is framed narrative, minimise wastage. IBM - Havant ( Industrial trainee , July 1990 to September 1991)

Produced multi-media applications under various languages (including AVC and Cities Essay, C) for both internal and external use. Is Framed. Appraisal of various multi-media packages, particularly in respect to their operation over LANs. Trained others in use of AVC a multi-media authoring package. Assignments included: Mouse operated front end, written under AVC, for accounting package using both the PC and AS/400. Compelling Argument. Package to enable AVC to what is framed, interpret word-processed documents with embedded commands.

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